Career
Hoskins' acting career started in 1969 at the Unity Theatre. One evening, Bob had been waiting in the Unity Theatre bar for his friend, the actor Roger Frost, to finish an audition. Whilst drinking at the bar, he was given a script and told "You're next." He got the part, with Frost ending up his understudy. Frost recalled that "Bob was a natural. He just got up on stage and was brilliant." His first major television role was in On the Move (1976), an educational series intended to tackle adult illiteracy, in which he played Alf, a removal man who had problems reading and writing. In the same year, he came to wider attention in the original BBC version of Dennis Potter's drama Pennies from Heaven as sheet music salesman Arthur Parker. Later, he played Iago in Jonathan Miller's BBC Television Shakespeare production of Othello.
Hoskins' performances in British films such as The Long Good Friday (1980) and Mona Lisa (1986) won him the wider approval of the critics and, in the case of the latter, a Cannes Award, Best Actor Golden Globe and BAFTA Awards and an Academy Award nomination for Best Actor. He also delivered comic turns in Terry Gilliam's Brazil (1985) and Super Mario Bros. (1993). Hoskins was not initially aware that Super Mario Bros. was based on the popular video game of the same name. His son had asked him what film he was working on, and recognising it, showed Hoskins the video game on the Nintendo video game console. In a 2007 interview, he revealed that despite getting praised for his performance on the film, he was extremely unhappy with the film and was greatly angered by his experiences making it, referring to it as the "worst thing I ever did". During the late 1980s and early 1990s he appeared in advertising for the recently privatised companies of British Gas and British Telecom (now BT Group).
Hoskins had a small role as a rock band's manager in the Pink Floyd film The Wall. He was slated to be a last-minute replacement in the film The Untouchables if star Robert De Niro had not decided to play Al Capone. When De Niro took the part, director Brian De Palma mailed Hoskins a cheque for £20,000 with a "Thank You" note, which prompted Hoskins to call up De Palma and ask him if there were any more movies he didn't want him to be in.
Hoskins appeared in Who Framed Roger Rabbit, for which he received a second Golden Globe nomination. Some of Hoskins' other notable appearances include playing opposite Cher in Mermaids (1990), boatswain Smee to Captain Hook in Hook (1991), and as the same character in Neverland (2011), and Uncle Bart, the psychopathic and violent "owner" of Jet Li in Unleashed aka Danny The Dog. He has also performed in several television productions for the BBC, including Dennis Potter's Pennies From Heaven, Flickers, David Copperfield as Wilkins Micawber (1999), and The Wind in the Willows. He played Nikita Khrushchev as a political commissar in the film Enemy at the Gates (2001). He received a Golden Globe nomination for Best Supporting Actor for his performance in Mrs Henderson Presents, a film he also produced with Norma Heyman.
Hoskins has also directed two films, both of which he starred in; The Raggedy Rawney (1988) and Rainbow (1996). In 2009, Hoskins made a return to British television in Jimmy McGovern's drama serial The Street, where he played a publican who stands up to a local gangster. For this role he received his first Emmy when he won Best Actor at the 2010 International Emmys. In an interview with The Guardian, Hoskins spoke of his regret at appearing in the film Super Mario Bros.. On 8 August 2012, Hoskins announced his retirement from acting after being diagnosed with Parkinson's disease in 2011.
Read more about this topic: Bob Hoskins
Famous quotes containing the word career:
“Ive been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
“I seemed intent on making it as difficult for myself as possible to pursue my male career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my male pursuits.”
—Margaret S. Mahler (18971985)
“A black boxers career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)