Blythe Danner - Television Work

Television Work

  • George M! (1970)
  • Dr. Cook's Garden (1971)
  • Columbo: Etude in Black (1972)
  • Adam's Rib (1973)
  • F. Scott Fitzgerald and The Last of the Belles (1974)
  • Sidekicks (1974)
  • M*A*S*H (1976)
  • Eccentricities of a Nightingale (1976)
  • A Love Affair: The Eleanor and Lou Gehrig Story (1978)
  • Are You in the House Alone? (1978)
  • Too Far to Go (1979)
  • You Can't Take It with You (1979)
  • Inside the Third Reich (1982) (miniseries)
  • In Defense of Kids (1983)
  • Helen Keller: The Miracle Continues (1984)
  • Guilty Conscience (1985)
  • Tattingers (1988 – 1989)
  • Money, Power, Murder (1989)
  • Judgment (1990)
  • Never Forget (1991)
  • Getting Up and Going Home (1992)
  • Cruel Doubt (1992) (miniseries)
  • Lincoln (1992) (miniseries) (voice only)
  • Tracey Ullman Takes On New York (1993)
  • Oldest Living Confederate Widow Tells All (1994) (miniseries)
  • Leave of Absence (1994)
  • The West (1996) (miniseries) (voice only)
  • Thomas Jefferson (documentary) (voice only)
  • A Call to Remember (1997)
  • From the Earth to the Moon (1998) (narrator in episode 12)
  • Saint Maybe (1998)
  • Murder She Purred: A Mrs. Murphy Mystery (1998) (voice only)
  • Mark Twain (2001) (documentary) (voice only)
  • Will & Grace (recurring cast member from 2001 – 2006)
  • We Were the Mulvaneys (2002)
  • Presidio Med (2002 – 2003)
  • Huff (2004–2006)
  • Pretty/Handsome (2008) (unsold pilot)
  • Medium episode "A Taste of Her Own Medicine" (2 March 2009)
  • Nurse Jackie (2009)
  • Up All Night (2011)

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Famous quotes containing the words television and/or work:

    “Addison DeWitt: Your next move, it seems to me, should be toward television.
    Miss Caswell: Tell me this. Do they have auditions for television?
    Addison DeWitt: That’s all television is, my dear. Nothing but auditions.”
    —Joseph L. Mankiewicz (1909–1993)

    “The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
    —George Steiner (b. 1929)