Blind Guardian - Musical Style

Musical Style

Blind Guardian's first two albums, Battalions of Fear and Follow the Blind, were more in the style of speed metal than their following works. Beginning with their third album Tales from the Twilight World, Blind Guardian gradually began to write more complicated compositions focusing less on speed. As of their sixth album, Nightfall in Middle Earth, Hansi stopped playing bass to focus on singing. At this point the band began to incorporate large amounts of orchestral arrangements, and utilized the technique of overdubbing, heavily influenced by the English rock band Queen.

Blind Guardian's music features the staccato guitars and double bass drumming characteristic of power metal, as well as the use of overdubs and numerous backing vocals to create a dense sound. This technique, especially notable in the guitar and vocal tracks, creates the impression of a vast army of musicians playing in unison and singing in harmony. This proved significant on all albums after the first two but most particularly on A Night at the Opera.

Another definitive feature of Blind Guardian music is frequent use of folk tunes and instruments, especially in power ballads such as "Lord of the Rings", "The Bard's Song", "A Past and Future Secret", "Skalds and Shadows" and "Curse My Name", among others.

Read more about this topic:  Blind Guardian

Famous quotes containing the words musical and/or style:

    There was something refreshingly and wildly musical to my ears in the very name of the white man’s canoe, reminding me of Charlevoix and Canadian Voyageurs. The batteau is a sort of mongrel between the canoe and the boat, a fur-trader’s boat.
    Henry David Thoreau (1817–1862)

    A cultivated style would be like a mask. Everybody knows it’s a mask, and sooner or later you must show yourself—or at least, you show yourself as someone who could not afford to show himself, and so created something to hide behind.... You do not create a style. You work, and develop yourself; your style is an emanation from your own being.
    Katherine Anne Porter (1890–1980)