Recording
Following the release of its debut single "Love Buzz" on Sub Pop in November 1988, Nirvana practiced for two to three weeks in preparation for recording a full-length album, even though Sub Pop had only requested for an EP. The main sessions for Bleach took place at Reciprocal Recording Studios in Seattle, with local producer Jack Endino. Nirvana began recording with a five-hour session on December 24, 1988. The band recorded again on December 29–31, and on January 14 and 24. Endino billed the group for 30 hours of recording time. Three of the album's songs – "Floyd the Barber", "Paper Cuts" and "Downer" – were recorded during a previous session at Reciprocal Studios in 1988, featuring Dale Crover on drums. Despite attempts to re-record them with new drummer Chad Channing, the band ultimately decided to remix the versions recorded with Crover for the final version of Bleach. "Big Long Now" was omitted from the album because vocalist/guitarist Kurt Cobain felt "there was already enough slow heavy stuff on Bleach, and he 'didn't want that song to go out'", according to Endino. The album was edited and sequenced, but Sub Pop head Bruce Pavitt ordered that the album be completely re-sequenced. The record was further delayed for several months until Sub Pop was able to secure sufficient funds to issue it.
Endino billed the band thirty hours of recording at $606.17. Jason Everman, a guitarist who was impressed by Nirvana's demo with Dale Crover, supplied the money. He briefly joined the group as second guitarist. Everman was credited as a guitarist on the album sleeve, and is the other guitarist on the cover of the album, even though he did not perform on the record. Bassist Krist Novoselic explained, "We just wanted to make him feel at home in the band."
Read more about this topic: Bleach (album)
Famous quotes containing the word recording:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)