A blast beat is a drum beat that originated in jazz, and is often associated with extreme metal and grindcore. It is utilised by many different styles of metal. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described as "maniacal percussive explosions, less about rhythm per se than sheer sonic violence".
Napalm Death is said to have coined the term, though this style of drumming had previously been practiced by D.R.I., Repulsion and others. Blast beats are made with rapid alternating or coinciding strokes primarily on the bass and snare drum. Diverse patterns and timings are also frequently used by more technical players, such as Gene Hoglan (Dethklok/Death/Dark Angel/Strapping Young Lad/Fear Factory), Alex Hernandez (Immolation) and Flo Mounier (Cryptopsy). Alternative styles of blast beats include performing two strokes of the bass drum followed by one stroke of the snare drum. Pete Sandoval frequently uses this technique.
Read more about Blast Beat: History, Characteristics
Famous quotes containing the words blast and/or beat:
“I care not by what measure you end the war. If you allow one single germ, one single seed of slavery to remain in the soil of America, whatever may be your object, depend upon it, as true as effect follows cause, that germ will spring up, that noxious weed will thrive, and again stifle the growth, wither the leaves, blast the flowers, and poison the fair fruits of freedom. Slavery and freedom cannot exist together.”
—Ernestine L. Rose (1810–1892)
“When all this is over, you know what I’m going to do? I’m gonna get married, gonna have about six kids. I’ll line ‘em up against the wall and tell them what it was like here in Burma. If they don’t cry, I’ll beat the hell out of ‘em.”
—Samuel Fuller, U.S. screenwriter, and Milton Sperling. Samuel Fuller. Barney, Merrill’s Marauders (1962)