Culture, Education and Monuments
Historical and archaeological monuments include the ruins of antique Thracian and Roman settlements, Early Christian basilicas, medieval Byzantine and Bulgarian towns, monasteries and fortresses, as well as many preserved buildings and whole villages — examples of the architecture from the Ottoman period (like Melnik, the Rozhen Monastery and Bansko).
A theatre, a library with 345,000 tomes, and an opera house are situated in the provincial centre, Blagoevgrad. There are art galleries in Bansko, Blagoevgrad and Sandanski. Many small cultural institutions, chitalishta, are dispersed around the province. The Pirin State Ensemble is the most prominent among the numerous folklore and music bands. There are 10 museums in the province that preserve the rich historical, ethnographic and archaeological heritage. Cultural events include the Theatre Festival in Blagoevgrad, the Jazz Festival in Bansko and the Melnik Evenings of Poetry.
The Southwestern University and the American University in Bulgaria are situated in Blagoevgrad; the latter is the second largest American university campus in Europe and is located in the former headquarters of the communist party. Annually the city draws around 10,000 students from the country and abroad. The number of schools in the province is 182.
Read more about this topic: Blagoevgrad Province
Famous quotes containing the words education and/or monuments:
“Our basic ideas about how to parent are encrusted with deeply felt emotions and many myths. One of the myths of parenting is that it is always fun and games, joy and delight. Everyone who has been a parent will testify that it is also anxiety, strife, frustration, and even hostility. Thus most major parenting- education formats deal with parental emotions and attitudes and, to a greater or lesser extent, advocate that the emotional component is more important than the knowledge.”
—Bettye M. Caldwell (20th century)
“If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.”
—Leon Trotsky (1879–1940)