Outline of The Plot
Set in a middle class living room in New Jersey, the play explores the potentially lethal triangular relationship between a white woman, her white ex-husband, and her African American lover.
Jonathan Boyd is a 35 year-old photojournalist who, after months abroad, calls on his ex-wife Debra and her new boyfriend Lew Claybrook, ostensibly to fetch some boxes full of his old things. In reality, however, Boyd has come to his former home to lure his attractive ex-wife away from her black lover and reunite with her. At first the trio are quite good at keeping up appearances, but as the evening progresses the pretence at politeness gives way to the expression of raw, undisguised emotions.
Boyd's racism is veiled, if thinly, by his frequent assertions that he considers all Americans equal and that he is glad that Claybrook, a Yale graduate, has benefited from affirmative action. Time and again, however, he insults his ex-wife's lover by unwittingly perpetuating racial stereotypes. Claybrook eventually releases his bottled-up anger when Boyd wrongly "accuses" him of breeding pit bulls and when he realizes that not even Debra understands him:
Shut up! Look, the pit bulldog is a macho breed, black macho breed, got it? That what we're talkin' about? Huh? Baaaad macho breed of killer dog so black men get a charge walkin' the streets with 'em on leashes, sexy feelin', get it?—they give the word, the fucker's gonna tear somebody apart. Real baaad.
You want the sociology, okay, I'll provide the sociology, fucking-A right, the pit bull helps com-pen-sate for the male nigger in America being a dog himself but not a killer dog, no way, man, just a runty ole mongrel dog not worth shit. You got it, honey? Like havin' a big cock's s'post to com-pen-sate for not havin' nothin'—including, in fact, the cock. Now you got it, honey?
After being accused in return by Claybrook of exploiting the poor people in developing countries by taking their photos and then selling them ("that Third World-victim shit you're peddling Don't hand me that shit, whitey"), Boyd takes out a revolver and starts threatening his hosts. In the end he calms down again and leaves with his boxes.
Read more about this topic: Black (play)
Famous quotes containing the words outline of the, outline of, outline and/or plot:
“The outline of the city became frantic in its effort to explain something that defied meaning. Power seemed to have outgrown its servitude and to have asserted its freedom. The cylinder had exploded, and thrown great masses of stone and steam against the sky.”
—Henry Brooks Adams (1838–1918)
“The outline of the city became frantic in its effort to explain something that defied meaning. Power seemed to have outgrown its servitude and to have asserted its freedom. The cylinder had exploded, and thrown great masses of stone and steam against the sky.”
—Henry Brooks Adams (1838–1918)
“One by one objects are defined—
It quickens: clarity, outline of leaf
But now the stark dignity of
entrance—Still, the profound change
has come upon them: rooted, they
grip down and begin to awaken”
—William Carlos Williams (1883–1963)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)