Decline and Revival
Black Mask reached a sales peak in the early 1930s, but then interest began to wane under increasing pressure from radio, the cinema, and rival pulp magazines. In 1936, refusing to cut writers' already meager pay, Shaw resigned, and many of the high-profile authors abandoned the magazine with him. Shaw's successor Fanny Ellsworth, (1936–40) managed to attract new writers to Black Mask, including Cornell Woolrich, Frank Gruber, Max Brand and Steve Fisher. However, from the 1940s on, Black Mask was in decline,despite the efforts of new editor Kenneth S. White (1940–48). The magazine in this period carried the work of John D. MacDonald. Henry Steeger then edited Black Mask anonymously until it eventually ceased publication in 1951.
In 1985, the magazine was revived as The New Black Mask, and featured noted crime writers James Ellroy, Michael Collins, Sara Paretsky and Bill Pronzini, as well as Chandler and Hammett reprints. Edward D. Hoch praised the revived Black Mask, stating in the book Encyclopedia Mysteriosa that "it came close to reviving the excitement and storytelling pleasure of the great old pulp magazines". Due to a legal dispute over the rights to Black Mask name, the magazine ceased publication in 1987. It was revived as a short-lived magazine titled A Matter of Crime.
Original copies of the Black Mask are highly valued among pulp magazine collectors. Issues with Chandler and Hammett stories are especially rare and command high prices.
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Famous quotes containing the words decline and, decline and/or revival:
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Heroic reverie mocked by clown and knave....”
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“Mother goddesses are just as silly a notion as father gods. If a revival of the myths of these cults gives woman emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.”
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