History
Two sites were considered by the Birmingham Street Commissioners for the construction of a concert hall in the city; Bennetts Hill and the more expensive Paradise Street site. Paradise Street was chosen and a design competition was launched which resulted with the submission of 67 designs including one by Charles Barry, whose design for the King Edward's School on New Street was then under construction.
Joseph Hansom, of Hansom cab fame, and Edward Welch were chosen as the architects and they expressed that they expected the construction cost to be £8,000 (£620,000 as of 2012),. Hill of London was hired to build the 6,000 pipe organ for £6,000. Construction began on April 27, 1832 with an expected completion date of 1833. However, Hansom went bankrupt during construction, having tendered too low. The contractors were also losing money. Three guarantors donated money for the building; W. P. Lloyd, John Welch and Edward Tench. With the injection of this money, the building was successfully opened for the delayed Music Festival on October 7, 1834, despite the building still being unfinished. During construction, on January 26, 1833, two workers were killed when a 70 foot crane constructed to install the roof trusses broke and the pulley block failed. John Heap died instantly and Win. Badger died a few days later from his injuries. They were buried in St Philip's churchyard and a memorial, consisting of a pillar base made by one of the workmen for the Town Hall, was dedicated to them. Architect Charles Edge was commissioned in 1835 to repair weaknesses to the design of the building. He was also commissioned for the extension of the building in 1837 and again in 1850.
Built in brick, created in Selly Oak, and faced with Penmon Anglesey Marble presented to the town by Sir R. Bulkeley, proprietor of the Penmon quarries, the hall is modelled on the Temple of Castor and Pollux in Rome. Some limestone was used in its construction and fossils of plants and animals are visible. In the late 1980s and early 1990s, the front arches were glazed to create an entrance foyer.
Charles Dickens gave public readings here to raise money for the Birmingham and Midland Institute, and Mendelssohn's Elijah and Elgar's The Dream of Gerontius were both premiered. Sir Arthur Sullivan's "Overture di Ballo" was also premièred here in August 1870, as part of the Triennial Musical Festival which commissioned new works for every season. The hall was the home venue for the City of Birmingham Symphony Orchestra from 1918 until 1991 when they moved to Symphony Hall.
In November 1880, the Hall was filled to capacity for a Birmingham public protest meeting in support of Revd. Richard Enraght, Vicar of Holy Trinity, Bordesley, who was imprisoned in Warwick Prison under the Disraeli Government's Public Worship Regulation Act.
Popular music has also featured, and in the 1960s and 1970s, headline acts such as Buddy Holly, The Beatles, Led Zeppelin, Queen, Pink Floyd, The Rolling Stones & Bob Dylan appeared.
On August 9, 1902, the town hall, along with the council house, was illuminated in celebration of the coronation of King Edward VII. It was illuminated again on June 22, 1911 for the coronation of King George V. In 1901, it was the scene of rioting on the occasion of a visit by David Lloyd George.
It featured prominently in the 1967 Peter Watkins film Privilege and doubled for the Royal Albert Hall in 1996s Brassed Off.
In 1937, as part of the celebrations for the Coronation of George VI, the Town Hall was regaled in the various Arms of the Lord of the Manor of Birmingham since 1166 and each column festooned with garlands. The pediment also had images of Britannia, supported by mermaids, which were sculpted by William Bloye. This decorative scheme for the Town Hall and the whole of the city was devised by William Haywood, Secretary of The Birmingham Civic Society.
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