Criticism
Biomass is composed of organic materials, therefore, large amounts of land are required to produce the fuel. Critics argue that the use of this land should be utilized for food distribution rather than crop degradation. Also, climate changes may cause a harsh season, where the material extracted will need to be swapped for food rather than energy. The assumption is that the production of biomass decreases the food supply, causing an increase in world hunger by extracting the organic materials such as corn and soybeans for fuel rather than food.
The cost of implementing a new technology such as biomass into the current infrastructure is also high. The fixed costs with the production of biomass briquettes are high due to the new undeveloped technologies that revolve around the extraction, production and storage of the biomass. Technologies regarding extraction of oil and coal have been developing for decades, becoming more efficient with each year. A new undeveloped technology regarding fuel utilization that has no infrastructure built around makes it nearly impossible to compete in the current market.
Read more about this topic: Biomass Briquettes
Famous quotes containing the word criticism:
“Of all the cants which are canted in this canting world—though the cant of hypocrites may be the worst—the cant of criticism is the most tormenting!”
—Laurence Sterne (1713–1768)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)