Playback
Once recorded, the binaural effect can be reproduced using headphones or a dipole stereo. It does not work with mono playback; nor does it work while using loudspeaker units, as the acoustics of this arrangement distort the channel separation via natural crosstalk (an approximation can be obtained if the listening environment is carefully designed by employing expensive crosstalk cancellation equipment.)
The result is a listening experience that spatially transcends normally recorded stereo, since it accurately reproduces the effect of hearing a sound in person, given the 360° nature of how human ears pick up nuance in the sound waves. Binaural recordings can very convincingly reproduce location of sound behind, ahead, above, or wherever else the sound actually came from during recording.
Any set of headphones that provide good right and left channel isolation are sufficient to hear the immersive effects of the recording, and anyone who has even a cheap set of headphones can enjoy the recordings. Several high-end head set manufacturers have created some units specifically for the playback of binaural. In addition, a number of headphone amplifier companies have created hardware that takes advantage of these special recordings. However, these in-ear-canal phones tend to suffer from poor externalization i.e. inside-head localization. It is also found that even normal headphones suffer from poor externalization, especially if the headphone completely blocks the ear from outside. A better design for externalization found in experiments is the open-ear one, where the drivers are sitting in front of the pinnae with the ear canal connected to the air. The hypothesis is that when the ear canal is completely blocked, the radiation impedance seen from the eardrum to the outside has been altered, which negatively affects externalization.
There are some complications with the playback of binaural recordings through normal headphones. The sound that is picked up by a microphone placed in or at the entrance of the ear channel has a frequency spectrum that is very different from the one that would be picked up by a free-standing microphone. The diffuse-field head-transfer function, that is, the frequency response at the ear drum averaged for sounds coming from all possible directions, is quite grotesque, with peaks and dips of 10 dB. Frequencies around 5 kHz in particular are strongly attenuated as compared to side-presentation. If headphones were designed to have a flat response, then they would sound much too 'bright' when used to listen to stereo recordings and for this reason, most headphones are designed to have a notch around 5 kHz. This can only ever approximate to a particular listener's ears, meaning that there can be no such thing as a 'flat' pair of headphones - they have to match the listener's ears, unlike speakers which aim to produce a flat free field response. For binaural listening though, the headphones need to have a flat response to the ear-canal entrance (not the eardrum) since it is at the ear-canal entrance that the recording microphones are placed. While it is in theory possible to equalise any headphones for a flat response at the entrance, a better approach is to use headphones designed without the notch in the first place.
The fact that most headphones are actually designed to have a notch in the 5 kHz region is not widely understood, and this may have led to errors in the assessment of binaural recordings, since flat headphones are not normally available, and 'high quality' headphones incorporate the notch just like any others, though perhaps with a better approximation to that needed by the average ear. Male and female ears are of course different in size, and the outer ear gets bigger with increasing age, raising the possibility that most headphones are only really suited to young men. If headphones were designed to be flat, with a choice of equalisations available in headphone amplifiers, then headphone listening could be a more controlled experience, whether in binaural or stereo mode.
Read more about this topic: Binaural Recording