William "Billy Bass" Nelson (born January 28, 1951) is a U.S. musician, who was the original bassist for Funkadelic. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
Billy was born in Plainfield, New Jersey and as a teenager worked at George Clinton's barbershop, sweeping the floor and singing and dancing for the customers. Clinton was a member of the doo wop vocal group The Parliaments, who scored a nationwide hit in 1967 with the song "(I Wanna) Testify". Clinton put together a backing band as musical support for a tour and recruited Nelson, originally as guitarist. Nelson later switched to bass when his good friend Eddie Hazel joined as lead guitarist. The backing band was originally unnamed, but Nelson later coined the name "Funkadelic" to reflect the style (funk) and connect it with the then-burgeoning psychedelic music scene.
By 1970, Funkadelic was a full band consisting of Nelson, Hazel, drummer Tiki Fulwood, guitarist Tawl Ross, and keyboardist Mickey Atkins (later replaced by Bernie Worrell). Since 1967 the band had been billed as the musical backing for The Parliaments. Due to legal problems, in the early 1970s Clinton had temporarily lost the rights to the name "The Parliaments" and instead signed the entire ensemble to Westbound Records under the name Funkadelic. Nelson was a prominent contributor to the first three Funkadelic albums, Funkadelic (1970), Free Your Mind... and Your Ass Will Follow (1970), and Maggot Brain (1971).
Nelson left the group in late 1971 after a financial dispute with George Clinton (making Nelson the first Parliament-Funkadelic member to defect over such concerns, foreshadowing a major problem that would haunt Clinton in the late 1970s). Nelson and Hazel next performed with The Temptations. Nelson rejoined Funkadelic briefly in the studio in 1975, playing on the track "Better By the Pound" on the Funkadelic album Let's Take It To The Stage. Nelson later played with The Commodores, Chairmen of the Board, Fishbone, Jermaine Jackson, Parlet, Lionel Richie, Smokey Robinson, and Lenny Williams.
By the early 1990s, Nelson had enjoyed a surge of name-checking by such legendary bassists as John Norwood Fisher (of Fishbone) and Flea (of the Red Hot Chili Peppers), while his early Funkadelic work was being sampled often by hip hop artists. Joining with some other P-Funk alumni, in 1994 Nelson released the album Out of the Dark under the name O.G. Funk. In 1994, Nelson rejoined Parliament-Funkadelic.
In 1996, Billy Bass Nelson contributed to the album The Squishy Declaration by cHUCk dA fONk fISHMAN. He still works with Fishman today, and will appear on the upcoming album from Fishman's new band fONKSQUISh.
In 2011, he was still in the touring entourage of the Parliament-Funkadelic, playing guitar and bass.
Famous quotes containing the words billy, bass and/or nelson:
““How old is she, Billy boy, Billy boy?
How old is she, charming Billy?”
Past six, past seven,
Past twenty and eleven,
She’s a young thing, and cannot leave her mother.””
—Unknown. Billy Boy (l. 21–25)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)
“Where did we ever get the crazy idea that in order to make children do better, first we have to make them feel worse? Think of the last time you felt humiliated or treated unfairly. Did you feel like cooperating or doing better?”
—Jane Nelson (20th century)