Professional Career
Bill Szymczyk began working at a firm which produced demo recordings for Screen Gems records and worked extensively with Brill Building songwriters such as Carole King and Gerry Goffin. He also worked as an assistant to music producers and songwriters Quincy Jones and Jerry Ragavoy, eventually working his way up to chief engineer at Ragavoy's Hit Factory recording studio. His first work as the primary producer on an album came for a Harvey Brooks solo record. He dropped out of NYU to work full-time in the music industry.
He left the Hit Factory and took a job at ABC Records, taking a large pay cut in exchange for his first opportunity to move from engineer to producer. He successfully lobbied ABC to let him work with B. B. King, whose own record label was a subsidiary of ABC and who was a long time idol of Szymczyk. After convincing King that he could improve his sound to make him more appealing to a wider audience, King himself agreed to let Szymczyk produce for him. Among the albums he produced for B. B. King are the 1969 live album Live & Well, King's first ever top-100 album. He produced the follow-up studio album Completely Well, which featured "The Thrill Is Gone", the biggest hit of King's career and his signature song. He would continue to produce blues albums throughout the early 1970s for the likes of King and Albert Collins.
Szymczyk was moved several times while working for ABC Records; first to Los Angeles when ABC acquired Dunhill Records and Szymczyk took over production for the West Coast operations, and later to Denver when he decided to form his own label, Tumbleweed Records. He worked for a while as a disc jockey at radio station KFML, and continued to produce albums in New York and Los Angeles, such as the J. Geils Band's 1971 album The Morning After, recorded at the Los Angeles Record Plant. He did extensive work at the Colorado studio Caribou Ranch, where would be the center of his operations for the rest of the 1970s.
After producing the James Gang's first three albums, he followed singer-guitarist Joe Walsh when he left the band, first as a solo artist with the Szymczyk-produced albums Barnstorm (the first recorded at the Caribou Ranch studio) and The Smoker You Drink, the Player You Get and later with the Eagles. His most prolific collaborations have been with Walsh; the two have made over 15 albums together in many settings. Walsh himself moved to Boulder, Colorado in 1971 in order to work with Szymczyk and the location would inspire one of Walsh's biggest solo hits, 1973's "Rocky Mountain Way". Besides work with Walsh in his band The James Gang and as a solo-artist, he also brought Walsh in to work on several albums he was doing with other musicians, using him as a session player for the B. B. King album Indianola Mississippi Seeds and the Michael Stanley album Friends and Legends. It was at Szymczyk's suggestion that the Eagles bring in Walsh to give them a "rock" edge; Walsh remains a core member of the band to this day.
His long relationship with the Eagles began with their 1974 album On the Border, an album he took over from London-based producer Glyn Johns. He would be the sole producer for the next three Eagles studio albums, including 1976's Hotel California, the first to feature Joe Walsh. Szymczyk was instrumental in giving the Eagles a more "rock sound" and helping them to break free from their country rock roots.
Among the other acts he worked with extensively through the 1970s include Michael Stanley and the The J. Geils Band. While working with The Outlaws, he coined the term "Guitar Army" to describe the band's sound; the name continues as a nickname for the band. He worked in the studio for the Edgar Winter Group's biggest hit, the Rick Derringer-produced "Frankenstein", and later produced Derringer's best known solo album All American Boy and its hit single, "Rock and Roll, Hoochie Koo". At the start of the 1980s he was a highly sought-after producer, and worked on such albums as Bob Seger's 1980 album Against the Wind and The Who's 1981 release Face Dances. During this time period, Szymczyk produced such hit singles as Elvin Bishop's "Fooled Around and Fell in Love", The Who's "You Better You Bet", The Eagles' "Hotel California", and Bob Seger's "Against the Wind".
His workload tailed off in the mid-1980s, due mostly to his own financial success. He officially retired from the music industry in 1990, but re-emerged in 2005, producing Dishwalla's self-titled fourth album. He returned to work with the Eagles on the 2007 album Long Road Out of Eden, and followed that with the 2008 solo debut of ex-Verve Pipe singer Brian Vander Ark.
He now lives in Little Switzerland, North Carolina with his wife, Lisi Szymczyk. The couple has two sons, Michael and Daniel. The couple have become actively involved in their local community, having raised money for a local shelter for victims of domestic violence, among other charity work. He still works as a producer, but is more selective about projects he works on.
Read more about this topic: Bill Szymczyk
Famous quotes containing the words professional and/or career:
“I sometimes wonder whether, in the still, sleepless hours of the night, the consciences of ... professional gossips do not stalk them. I myself believe in a final reckoning, when we shall be held accountable for our misdeeds. Do they? If so, they have cause to worry over many scoops that brought them a days dubious laurels and perhaps destroyed someones peace forever.”
—Mary Pickford (18931979)
“I seemed intent on making it as difficult for myself as possible to pursue my male career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my male pursuits.”
—Margaret S. Mahler (18971985)