Bill Oakley (born February 27, 1966) is an American television writer and producer, known for his work on the animated comedy series The Simpsons. Oakley and Josh Weinstein became best friends and writing partners at high school; Oakley then attended Harvard University and was Vice President of the Harvard Lampoon. He worked on several short-term media projects, including writing for the variety show Sunday Best, but was then unemployed for a long period.
Oakley and Weinstein eventually penned a spec script for Seinfeld, after which they wrote "Marge Gets a Job", an episode of The Simpsons. Subsequently, the two were hired to write for the show on a permanent basis in 1992. After they wrote episodes such as "$pringfield (Or, How I Learned to Stop Worrying and Love Legalized Gambling)", "Bart vs. Australia" and "Who Shot Mr. Burns?", the two were appointed executive producers and showrunners for the seventh and eighth seasons of the show. They attempted to include several emotional episodes focusing on the Simpson family, as well as several high-concept episodes such as "Homer's Enemy", "Two Bad Neighbors" and "The Principal and the Pauper", winning three Primetime Emmy Awards for their work.
After they left The Simpsons, Oakley and Weinstein created Mission Hill. The show was plagued by promotional issues and was swiftly canceled. They worked as consulting producers on Futurama, then created The Mullets in 2003. The two wrote several unsuccessful TV pilots, and were due to serve as showrunners on Sit Down, Shut Up in 2009. Oakley left the project over a contract dispute. He has since written for The Cleveland Show and Portlandia, without Weinstein. Oakley is married to fellow writer Rachel Pulido.
Read more about Bill Oakley: Early Life, Career, Personal Life, Credits
Famous quotes containing the words bill and/or oakley:
“The house with no child in it is a house with nothing in it.”
—Welsh proverb, as quoted in The Joys of Having a Child by Bill and Gloria Adler (1993)
“The primary function of myth is to validate an existing social order. Myth enshrines conservative social values, raising tradition on a pedestal. It expresses and confirms, rather than explains or questions, the sources of cultural attitudes and values.... Because myth anchors the present in the past it is a sociological charter for a future society which is an exact replica of the present one.”
—Ann Oakley (b. 1944)