Bill Moyers - Works

Works

  • Listening to America: A Traveler Rediscovers His Country (1971), Harper's Magazine press, ISBN 0-06-126400-8
  • The Secret Government: The Constitution in Crisis : With Excerpts from an Essay on Watergate (1988), coauthor Henry Steele Commager, Seven Locks Press, hardcover: ISBN 0-932020-61-5, 1990 reprint: ISBN 0-932020-85-2, 2000 paperback: ISBN 0-932020-60-7; examines the Iran-Contra affair
  • The Power of Myth (1988), host: Bill Moyers, author: Joseph Campbell, Doubleday, ISBN 0-385-24773-7
  • A World of Ideas : Conversations With Thoughtful Men and Women About American Life Today and the Ideas Shaping Our Future (1989), Doubleday, hardcover: ISBN 0-385-26278-7, paperback: ISBN 0-385-26346-5
  • A World of Ideas II: Public Opinions from Private Citizens (1990), Doubleday, hardcover: ISBN 0-385-41664-4, paperback: ISBN 0-385-41665-2, 1994 Random House values edition: ISBN 0-517-11470-4
  • Healing and the Mind (1993), Doubleday hardcover: ISBN 0-385-46870-9, 1995 paperback: ISBN 0-385-47687-6
  • The Language of Life (1995), Doubleday hardcover: ISBN 0-385-47917-4, 1996 paperback: ISBN 0-385-48410-0, conversations with 34 poets
  • Genesis: A Living Conversation (1996), Doubleday hardcover: ISBN 0-385-48345-7, 1997 paperback: ISBN 0-385-49043-7
  • Sister Wendy in Conversation With Bill Moyers: The Complete Conversation (1997), WGBH Educational Foundation, ISBN 1-57807-077-5
  • Fooling with Words: A Celebration of Poets and Their Craft (1999), William Morrow, hardcover: ISBN 0-688-17346-2, 2000 Harper paperback: ISBN 0-688-17792-1
  • Moyers on America: A Journalist and His Times (2004), New Press, ISBN 1-56584-892-6, 2005 Anchor paperback: ISBN 1-4000-9536-0; twenty selected speeches and commentaries
  • Moyers on Democracy (2008), Doubleday, ISBN 978-0-385-52380-6
  • Bill Moyers Journal: The Conversation Continues (2011), Publisher: New Press

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Famous quotes containing the word works:

    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
    George Bernard Shaw (1856–1950)

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)