Bill Haley & His Comets - National Success and "Rock Around The Clock"

National Success and "Rock Around The Clock"

In 1953 Haley scored his first national success with an original song called "Crazy Man, Crazy", a phrase Haley said he heard from his teenage audience. Haley later claimed the recording sold a million copies, but this is considered an exaggeration. "Crazy Man, Crazy" was the first rock and roll song to be televised nationally when it was used on the soundtrack for a 1953 television play starring James Dean. Haley and His Comets then recorded "Rock Around the Clock", Haley's biggest hit, and one of the most important records in rock and roll history. Sales of "Rock Around the Clock" started slow but eventually sold an estimated 25 million copies (per the Guinness Book of World Records) and marked the arrival of a cultural shift.

Much more impressive was "Shake, Rattle and Roll", a somewhat bowdlerized cover version of the Big Joe Turner recording of earlier in 1954. The record was one of Decca's best-selling records in 1954. The song was the seventh best selling record in November 1954.

In March 1955, the group had four songs in Cash Box magazines top 50 songs: "Dim, Dim the Lights, (I Want Some Atmosphere)", "Birth of the Boogie", "Mambo Rock", and "Shake, Rattle and Roll".

Although Haley's "Shake, Rattle and Roll" never achieved the same level of historical importance as "Rock Around the Clock", it actually predated it as the first major international rock and roll hit, although it did not attain the Number 1 position in the American charts, but became his first gold record. When Elvis Presley recorded the song in 1956, he combined Haley's arrangement with Turner's original lyrics but failed to score a substantial hit. Late in 1954, Haley also recorded another hit, "Dim, Dim The Lights", which was one of the first R&B songs recorded by a white group to cross over to the R&B charts. Johnnie Ray had reached No. 1 with "Cry" in 1952.

The (belated) success of "Rock Around the Clock" is attributed to its use in the soundtrack of the film Blackboard Jungle, which was released in March 1955. The song, which was re-released to coincide with the film, rose to the top of the American musical charts that summer and stayed there for eight weeks, the first rock and roll record to do so.

Ambrose's acrobatic saxophone playing, along with Lytle on the double bass -literally on it, riding it like a pony, and holding it over his head- were highlights of the band's live performances during this time. Their music and their act were part of a tradition in jazz and rhythm and blues, but it all came like a thunderclap to most of their audience. In late 1954, Haley and His Comets appeared in a short subject entitled Round Up of Rhythm, performing three songs. This was the earliest known theatrical rock and roll film release.

In 1955, Lytle, Richards and Ambrose quit the Comets in a salary dispute and formed their own group, The Jodimars. Haley hired several new musicians to take their place: Rudy Pompilli on sax, Al Rex (a former member of the Saddlemen) on double bass, and Ralph Jones on drums; in addition, lead guitarist Franny Beecher, who had been a session musician for Haley since Cedrone's death in the fall of 1954, became a full-time Comet and Haley's first performing lead guitarist. This version of the band became more popular than the earlier manifestation, and appeared in several motion pictures over the next few years.

Other hits recorded by the band included "See You Later, Alligator" in which Haley's frantic delivery contrasted with the Louisiana languor of the original by Bobby Charles, "Don't Knock the Rock", "Rock-a-Beatin' Boogie", "Rudy's Rock" (the first instrumental hit of the rock and roll era) and "Skinny Minnie".

In 1956 the group appeared in two of the earliest full-length rock and roll movies: Rock Around the Clock, and Don't Knock the Rock.