Music
Bruford chose to play drums because after watching American jazz drummers of the 1960s on BBC TV. His sister then gave him a pair of brushes as a present. He later took a few lessons - while still attending Public School - from Lou Pocock of the Royal Philharmonic.
He said that he never acquired drum technique for the sake of acquiring it, but as a solution to a particular problem, and if he heard something that he couldn't do, he would learn how to do it. Bruford applied this way of learning to other instruments as well, although acknowledging that he has the 'classic amateur's technique'; meaning that he knows some very difficult bits and that he has some large gaping holes in his knowledge, but his amateurism can sometimes be helpful in forging a style, because he has to work around his weaknesses.
Bruford's pre-Yes bands included The Breed (1966–67), a Sevenoaks-based r'n'b/soul band which included future Flash bassist Ray Bennett, future Canned Rock singer/guitarist Doug Kennard and guitarist Stu Murray (since Bruford was at boarding school and not available for all gigs, the band occasionally used another drummer, Pete Skinner, and sometimes both), a short-lived band named The Noise (1967) with whom he gigged in Italy, and Savoy Brown (1968), his first professional engagement - which lasted all of three gigs.
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Famous quotes containing the word music:
“Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.”
—Johann Wolfgang Von Goethe (1749–1832)
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Shrill wind beyond the close of heavy flowers,
And through the music of the languid hours,
They hear like ocean on a western beach
The surge and thunder of the Odyssey.”
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