Pseudonyms and Royalties
Though they were not songwriters, the Biharis often purchased or claimed co-authorship of songs that appeared on their own labels, thus securing songwriting royalties for themselves, in addition to their other sources of income.
Sometimes these songs were older standards renamed. B.B. King's rendition of "Rock Me Baby" was such a tune; anonymous jams, as with "B.B.'s Boogie" or songs by employees, such as bandleader Vince Weaver. The Biharis used a number of pseudonyms for songwriting credits: Jules was credited as Jules Taub; Joe as Joe Josea; and Sam as Sam Ling. One song by John Lee Hooker, "Down Child" is solely credited to "Taub", with Hooker receiving no credit for the song whatsoever. Another, "Turn Over a New Leaf" is credited to Hooker and "Ling". Taub was the Biharis' mother's maiden name.
Commonly known among music circles but not publicly acknowledged is that Jules and the Bihari brothers would effectively steal music from up and coming black artists by taking advantage of the artists financial situation. The Bihari's would have their name added to writing credits when they had nothing to do with the creation of the music in any way.
B.B. King has said: "The company I was with knew a lot of things they didn’t tell me, that I didn’t learn about until later... Some of the songs I wrote, they added a name when I copyrighted it,"..."Like 'King and Ling' or 'King and Josea.' There was no such thing as Ling, or Josea. No such thing. That way, the company could claim half of your song."
Read more about this topic: Bihari Brothers