Life and Career
Originally from Liverpool, she attended the Italia Conti Stage School and ENSA.
In the radio series Beyond Our Ken, she played Fanny Haddock, a takeoff of Fanny Cradock. In the radio series Round the Horne, she played a similar role (Daphne Whitethigh), as well as Lady Counterblast (née Clissold), Buttercup Gruntfuttock (wife of J. Peasemold Gruntfuttock, personified by Kenneth Williams), Dame Celia Molestrangler, Judy Coolibar, Dame Bella Goatcabin and others.
In 1958, Marsden played the role of the Fairy Godmother, in the production of Rodgers and Hammerstein's Cinderella at the London Coliseum with Tommy Steele, Kenneth Williams, Yana and Jimmy Edwards.
She escaped the wrath of the critical community in London when her role of Aunt Dahlia was removed from Andrew Lloyd Webber's flop musical Jeeves (1975) before opening night.
Perhaps her most famous catchphrase was "many, many, many times", delivered in the dry, reedy tones of Bea Clissold, the ancient actress who was renowned for having given pleasure to many, particularly in "The Little Hut" on Shaftesbury Avenue. This long outlasted the Clissold character and was deployed to much audience appreciation on a few occasions in later series, possibly as an ad lib. Another was "'allo, cheeky face!", shouted into the microphone in the less-than-couth London tones of Buttercup Gruntfuttock. Marsden's vocal range was impressive and also included the husky Whitethigh, the strident stereotypical Aussie tones of the ultra feminist (but conflicted) Judy Coolibar, and the cut-glass received pronunciation of Dame Celia Molestrangler (in a series of loose pastiches of the stilted dialogue in 1930s' melodramas).
She also appeared in two Carry On films, Carry On Regardless (playing Mata Hari) and Carry On Camping (playing Terry Scott's wife with a braying laugh and jolly bossiness).
One of her theatre roles was in Joe Orton's What the Butler Saw at the Royal Court Theatre, and her many television appearances included a role in Inspector Morse (1990).
Read more about this topic: Betty Marsden
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—Gwendolyn Brooks (b. 1917)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)