Bernard Herrmann - Concert Works

Concert Works

  • The Forest: Tone poem for Large Orchestra (1929)
  • November Dusk: Tone Poem for Large Orchestra (1929)
  • Tempest and Storm: Furies Shrieking!: for Piano (1929)
  • The Dancing Faun and The Bells: Two Songs for Medium Voice and Small Chamber Orchestra (1929)
  • Requiescat: Violin and Piano (1929)
  • Twilight: Violin and Piano (1929)
  • March Militaire (1932), ballet music for Americana Revue (1932)
  • Aria for Flute and Harp (1932)
  • Variations on "Deep River" and "Water Boy" (1933)
  • Prelude to Anathema: for Fifteen Instruments (1933)
  • Silent Noon: for Fourteen Instruments (1933)
  • The Body Beautiful (1935), music from the Broadway play
  • Nocturne and Scherzo (1935)
  • Sinfonietta for Strings (1935)
  • Currier and Ives Suite (1935)
  • Violin Concerto: Unfinished (1937)
  • Moby Dick: Cantata (1937)
  • Johnny Appleseed: Unfinished Cantata (1940)
  • Symphony (1941)
  • The Fantasticks (1942)
  • The Devil and Daniel Webster Suite (1942)
  • For the Fallen (1943)
  • Welles Raises Kane (1943)
  • Echoes: String Quartet (1965)
  • Souvenirs de Voyage (1967)

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Famous quotes containing the words concert and/or works:

    “Man is head, chest and stomach. Each of these animals operates, more often than not, individually. I eat, I feel, I even, although rarely, think.... This jungle crawls and teems, is hungry, roars, gets angry, devours itself, and its cacophonic concert does not even stop when you are asleep.”
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    “Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your knowledge—they will be both moral and national if you follow your inspiration freely.”
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