Berber Latin Alphabet - History

History

The use of a Latin script for Berber has its roots in French colonialist expeditions to North Africa. Berber texts written with Latin letters began to appear in print in the 19th century when French, Italian, and Spanish colonial expeditionaries and military officers began surveying North Africa. The French attempted to use Romanization schemes for North African Arabic dialects and for Berber. The attempts for Arabic were unsuccessful, but Berber was more susceptible, having little established literature to stand in the way.

In the colonial era a French-based system was used. Though it has now fallen partly out of favor, it is still used for transcription of names into French. More recently the French institute of languages, INALCO, has proposed its own writing standard which now is the primary system used in mainly Kabyle-Berber writings in Kabylie, Algeria.

Other, slightly different, varieties of Latin-based standards have been used since the beginning of the 20th century by Berber linguists in North Africa, France, and recently at the University of Barcelona, Spain.

Read more about this topic:  Berber Latin Alphabet

Famous quotes containing the word history:

    For a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
    F. Scott Fitzgerald (1896–1940)

    I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?
    Ralph Waldo Emerson (1803–1882)

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)