Music in Bengali Theatre
The late 19th and early 20th centuries' theatres had their own Bengali music. This form was pioneered by Girish Chandra Ghosh; the era of Bengali theatre before him laid the groundwork, and after his death Bengali theatre music became more experimental. During the era of Girish Chandra, all stage-plays included some form of traditional Bengali music, and dancer-singers who performed before and between the acts. Mythological plays would have Kirtan-anga songs, epics would include indigenous styles such as khyāmtā, and comedies and farcical plays often included tappā songs by Nidhu Babu.
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Famous quotes containing the words music in, music and/or theatre:
“The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils.
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted.”
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“The harp that once through Tara’s halls The soul of music shed, Now hangs as mute on Tara’s walls As if that soul were fled.”
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