Career
In 1954, Gazzara (having tweaked his original surname from "Gazzarra") made several appearances on NBC's legal drama Justice, based on case studies from the Legal Aid Society of New York. Gazzara starred in various Broadway productions around this time, including creating the role of Brick in Tennessee Williams' Cat On A Hot Tin Roof (1955) opposite Barbara BelGeddes, directed by Elia Kazan, although he lost out to Paul Newman when the film version was cast. He joined other Actors Studio members in the 1957 film The Strange One. Then came a high-profile performance as a soldier on trial for avenging his wife's rape in Otto Preminger's courtroom drama Anatomy of a Murder (1959).
Gazzara became well known in several television series, beginning with Arrest and Trial, which ran from 1963 to 1964 on ABC, and the more-successful series Run for Your Life from 1965-68 on NBC, in which he played a terminally ill man trying to get the most out of the last two years of his life. For his work in the series, Gazzara received two Emmy nominations for "Outstanding Lead Actor in a Drama Series" and three Golden Globe nominations for "Best Performance by an Actor in a Television Series - Drama." Contemporary screen credits included The Young Doctors (1961), A Rage to Live (1965) and The Bridge at Remagen (1969).
Gazzara told Charlie Rose in 1998 that he went from being mainly a stage actor who often would turn up his nose at film roles in the mid-1950s to, much later, a ubiquitous character actor who turned very little down. "When I became hot, so to speak, in the theater, I got a lot of offers," he said. "I won't tell you the pictures I turned down because you'll say, 'You are a fool,' and I was a fool."
Some of the actor's most formidable characters were those he created with his friend John Cassavetes in the 1970s. They collaborated for the first time on Cassavetes's film Husbands (1970), in which he appeared alongside Peter Falk and Cassavetes himself. In The Killing of a Chinese Bookie (1976), Gazzara took the leading role of the hapless strip-joint owner, Cosmo Vitelli. A year later, he starred in yet another Cassavetes-directed movie, Opening Night, as stage director Manny Victor, who struggles with the mentally unstable star of his show, played by Cassavetes's wife Gena Rowlands. Also during this period he appeared in the television miniseries QB VII (1974), and the films Capone (1975), Voyage of the Damned (1976), High Velocity (1976), and Saint Jack (1979).
In the 1980s, Gazzara appeared in several movies such as Inchon co-starring Laurence Olivier and Richard Roundtree, They All Laughed (directed by Peter Bogdanovich), and in a villainous role in the oft-televised Patrick Swayze film Road House, which the actor jokingly said is probably his most-watched performance. He starred with Rowlands in the critically acclaimed AIDS-themed TV movie An Early Frost (1985), for which he received his third Emmy nomination.
Gazzara appeared in 38 films, many for television, in the 1990s. He worked with a number of renowned directors, such as the Coen brothers (The Big Lebowski), Spike Lee (Summer of Sam), David Mamet (The Spanish Prisoner), Walter Hugo Khouri (Forever), Todd Solondz (Happiness), John Turturro (Illuminata), and John McTiernan (The Thomas Crown Affair).
In his seventies, Gazzara continued to be active. In 2003, he was in the ensemble cast of the experimental film Dogville, directed by Lars von Trier of Denmark and starring Nicole Kidman, as well as the television film Hysterical Blindness (he received his first Emmy Award for his role). Several other projects have recently been completed or are currently in production. In 2005, he played Agostino Casaroli in the television miniseries, Pope John Paul II. He completed filming his scenes in the film The Wait in early 2012, shortly before his death.
In addition to acting, Gazzara worked as an occasional television director; his credits include the Columbo episodes "A Friend in Deed" (1974) and "Troubled Waters" (1975). Gazzara was nominated three times for the Tony Award for Best Performance by a Leading Actor in a Play—in 1956 for A Hatful of Rain, in 1975 for the paired short plays Hughie and Duet, and in 1977 for a revival of Who's Afraid of Virginia Woolf?, opposite Colleen Dewhurst.
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