History
BBC 6 Music was proposed in October 2000 as a "digital-only" radio station and named "Network Y". ("Network X" became BBC Radio 1Xtra and "Network Z" BBC 7).
The station opened at 7 am, Monday, 11 March 2002, with a show presented by Phill Jupitus. At the start-up, presenters included Liz Kershaw, Andrew Collins, Tom Robinson, Gideon Coe, Janice Long, Chris Hawkins, Gary Burton, Craig Charles, Stuart Maconie, Brinsley Forde, Suggs, Clare McDonnell, Bruce Dickinson, Tracey MacLeod, Sean Hughes, and Bob Harris. The first record played was Ash's Burn Baby Burn 6 Music attracted criticism for changing daytime schedules during late 2007 and early 2008. In response, Lesley Douglas, Controller of BBC Radio 2 and 6 Music at the time, said that the changes were intended to attract more female listeners. She claimed that men listened to music in an intellectual way while women were more emotionally attached. This in turn brought on more criticism of perceived sexism on Douglas' part.
In March 2006, BBC 6 Music moved from Broadcasting House to new studios in the adjacent Western House to allow the regeneration of Broadcasting House.
In 2011, BBC Radio 6 Music started the process of moving some of its presenters, staff, and shows from London and elsewhere to the new studios at MediaCityUK in Salford near Manchester. The studios will be located in Dock House.
Read more about this topic: BBC Radio 6 Music
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“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
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“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
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