BBC Radio 6 Music - History

History

BBC 6 Music was proposed in October 2000 as a "digital-only" radio station and named "Network Y". ("Network X" became BBC Radio 1Xtra and "Network Z" BBC 7).

The station opened at 7 am, Monday, 11 March 2002, with a show presented by Phill Jupitus. At the start-up, presenters included Liz Kershaw, Andrew Collins, Tom Robinson, Gideon Coe, Janice Long, Chris Hawkins, Gary Burton, Craig Charles, Stuart Maconie, Brinsley Forde, Suggs, Clare McDonnell, Bruce Dickinson, Tracey MacLeod, Sean Hughes, and Bob Harris. The first record played was Ash's Burn Baby Burn 6 Music attracted criticism for changing daytime schedules during late 2007 and early 2008. In response, Lesley Douglas, Controller of BBC Radio 2 and 6 Music at the time, said that the changes were intended to attract more female listeners. She claimed that men listened to music in an intellectual way while women were more emotionally attached. This in turn brought on more criticism of perceived sexism on Douglas' part.

In March 2006, BBC 6 Music moved from Broadcasting House to new studios in the adjacent Western House to allow the regeneration of Broadcasting House.

In 2011, BBC Radio 6 Music started the process of moving some of its presenters, staff, and shows from London and elsewhere to the new studios at MediaCityUK in Salford near Manchester. The studios will be located in Dock House.

Read more about this topic:  BBC Radio 6 Music

Famous quotes containing the word history:

    The history of the genesis or the old mythology repeats itself in the experience of every child. He too is a demon or god thrown into a particular chaos, where he strives ever to lead things from disorder into order.
    Ralph Waldo Emerson (1803–1882)

    The history of philosophy is to a great extent that of a certain clash of human temperaments.
    William James (1842–1910)

    The history of work has been, in part, the history of the worker’s body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers’ intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.
    Shoshana Zuboff (b. 1951)