Bayeux Tapestry - Mysteries

Mysteries

The tapestry contains several mysteries:

• The identity of Harold II of England in the vignette depicting his death is disputed. Some recent historians disagree with the traditional view that Harold II is the figure struck in the eye with an arrow. The view that it is Harold is supported by the fact that the words Harold Rex (King Harold) appear right above the figure's head. However, the arrow is a later addition following a period of repair. Evidence of this can be found in a comparison with engravings of the tapestry in 1729 by Bernard de Montfaucon, in which the arrow is absent (see illustration above). However, needle holes in the linen suggest that there had been something previously in this place: though possibly a lance. A figure is slain with a sword in the subsequent plate and the phrase above the figure refers to Harold's death (Interfectus est, "he is slain"). This would appear to be more consistent with the labeling used elsewhere in the work. It was common medieval iconography that a perjurer was to die with a weapon through the eye. Therefore, the tapestry might be said to emphasize William's rightful claim to the throne by depicting Harold as an oath breaker. Whether he actually died in this way remains a mystery and is much debated.

• There is a panel with what appears to be a clergyman touching or possibly striking a woman's face. No one knows the meaning of the caption above this scene ubi unus clericus et Ælgyva, "where a certain cleric and Ælfgyua", a Latinised version of Ælfgifu, a popular Anglo-Saxon woman's name. The elided AE shows familiarity with English spelling. There are two naked male figures in the border below this figure; the one directly below the figure is squatting and displaying prominent genitalia, a scene that was frequently censored in former reproductions. Historians speculate that it may represent a well known scandal of the day that needed no explanation. However, similar naked figures appear elsewhere in the lower border where there seems to be no connection at all with the main action.

• At least two panels of the tapestry are missing, perhaps even another 6.4 m (7 yards) worth. This missing area would probably have included William's coronation. A reconstruction of the missing panels - which show Duke William accepting the surrender of London and his coronation as King of England - was made by artist Jan Messent.