Background To The Events Depicted
In a series of pictures supported by a written commentary the tapestry tells the story of the events of 1064–1066 culminating in the Battle of Hastings. The two main protagonists are Harold Godwinson, recently crowned King of England, leading the Anglo-Saxon English, and William, Duke of Normandy leading a mainly Norman army, sometimes called the companions of William the Conqueror.
William was the illegitimate son of Robert the Magnificent, Duke of Normandy, and Herleva (or Arlette), a tanner's daughter. William became Duke of Normandy at the age of seven and was in control of Normandy by the age of nineteen. His half brother was Bishop Odo of Bayeux.
King Edward the Confessor, king of England and about sixty years old at the time the tapestry starts its narration, had no children or any clear successor. Edward's mother, Emma of Normandy, was William's great aunt. At that time succession to the English throne was not by primogeniture but was decided jointly by the king and by an assembly of nobility, the Witenagemot.
Harold Godwinson, earl of Wessex and the most powerful noble in England, was Edward's brother-in-law. The Norman chronicler William of Poitiers recorded that Edward sent Harold to tell William that Edward had decided William should succeed him as king of England upon his (Edward's) death. However, other sources dispute this claim.
Read more about this topic: Bayeux Tapestry
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“Et in Arcadia ego.
[I too am in Arcadia.]”
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Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)