Bayer Filter - Explanation

Explanation

Bryce Bayer's patent (U.S. Patent No. 3,971,065) in 1976 called the green photosensors luminance-sensitive elements and the red and blue ones chrominance-sensitive elements. He used twice as many green elements as red or blue to mimic the physiology of the human eye. The luminance perception of the human retina uses M and L cone cells combined, during daylight vision, which are most sensitive to green light. These elements are referred to as sensor elements, sensels, pixel sensors, or simply pixels; sample values sensed by them, after interpolation, become image pixels.

The raw output of Bayer-filter cameras is referred to as a Bayer pattern image. Since each pixel is filtered to record only one of three colors, the data from each pixel cannot fully determine color on its own. To obtain a full-color image, various demosaicing algorithms can be used to interpolate a set of complete red, green, and blue values for each point.

Different algorithms requiring various amounts of computing power result in varying-quality final images. This can be done in-camera, producing a JPEG or TIFF image, or outside the camera using the raw data directly from the sensor.

Read more about this topic:  Bayer Filter

Famous quotes containing the word explanation:

    Auden, MacNeice, Day Lewis, I have read them all,
    Hoping against hope to hear the authentic call . . .
    And know the explanation I must pass is this
    MYou cannot light a match on a crumbling wall.
    Hugh MacDiarmid (1892–1978)

    What causes adolescents to rebel is not the assertion of authority but the arbitrary use of power, with little explanation of the rules and no involvement in decision-making. . . . Involving the adolescent in decisions doesn’t mean that you are giving up your authority. It means acknowledging that the teenager is growing up and has the right to participate in decisions that affect his or her life.
    Laurence Steinberg (20th century)

    The explanation of the propensity of the English people to portrait painting is to be found in their relish for a Fact. Let a man do the grandest things, fight the greatest battles, or be distinguished by the most brilliant personal heroism, yet the English people would prefer his portrait to a painting of the great deed. The likeness they can judge of; his existence is a Fact. But the truth of the picture of his deeds they cannot judge of, for they have no imagination.
    Benjamin Haydon (1786–1846)