Design
The exterior walls of the pavilion are covered in windows and made of natural Florida cypress stained to resemble the surroundings plant life. The cypress is grooved vertically to give the appearance of individual tree trunks. The sloping roof of the pavilion is composed of tongue-and-groove yellow pine and copper to mimic the look of medieval cathedrals. The front door is made of maple with inlaid Gothic patterns in cherry and an ornamental architrave of crenelated mahogany. The floor is made of three shades of travertine marble arranged in a geometric pattern based on the building’s structure. The pavilion is oriented so that the dominant axis coincides with sunrise and sunset at the summer solstice, following the principle of "Orient"-ation or East-facing that is common in major religious buildings throughout the Western world.
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Famous quotes containing the word design:
“Humility is often only the putting on of a submissiveness by which men hope to bring other people to submit to them; it is a more calculated sort of pride, which debases itself with a design of being exalted; and though this vice transform itself into a thousand several shapes, yet the disguise is never more effectual nor more capable of deceiving the world than when concealed under a form of humility.”
—François, Duc De La Rochefoucauld (1613–1680)
“For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
—Ralph Waldo Emerson (1803–1882)
“To nourish children and raise them against odds is in any time, any place, more valuable than to fix bolts in cars or design nuclear weapons.”
—Marilyn French (20th century)