Design
The exterior walls of the pavilion are covered in windows and made of natural Florida cypress stained to resemble the surroundings plant life. The cypress is grooved vertically to give the appearance of individual tree trunks. The sloping roof of the pavilion is composed of tongue-and-groove yellow pine and copper to mimic the look of medieval cathedrals. The front door is made of maple with inlaid Gothic patterns in cherry and an ornamental architrave of crenelated mahogany. The floor is made of three shades of travertine marble arranged in a geometric pattern based on the building’s structure. The pavilion is oriented so that the dominant axis coincides with sunrise and sunset at the summer solstice, following the principle of "Orient"-ation or East-facing that is common in major religious buildings throughout the Western world.
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“For I choose that my remembrances of him should be pleasing, affecting, religious. I will love him as a glorified friend, after the free way of friendship, and not pay him a stiff sign of respect, as men do to those whom they fear. A passage read from his discourses, a moving provocation to works like his, any act or meeting which tends to awaken a pure thought, a flow of love, an original design of virtue, I call a worthy, a true commemoration.”
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“Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you.”
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