The Odessa Steps Sequence
The most celebrated scene in the film is the massacre of civilians on the Odessa Steps (also known as the Primorsky or Potemkin Stairs). In this scene, the Tsar's soldiers in their white summer tunics march down a seemingly endless flight of steps in a rhythmic, machine-like fashion, firing volleys into a crowd. A separate detachment of mounted Cossacks charges the crowd at the bottom of the stairs. The victims include an older woman wearing Pince-nez, a young boy with his mother, a student in uniform and a teenage schoolgirl. A mother pushing an infant in a baby carriage falls to the ground dying and the carriage rolls down the steps amidst the fleeing crowd.
The massacre on the steps, which never took place, was presumably inserted by Eisenstein for dramatic effect and to demonise the Imperial regime. It is, however, based on the fact that there were widespread demonstrations in the area, sparked off by the arrival of the Potemkin in Odessa Harbour, and both The Times of London and the resident British Consul reported that troops fired on the crowds with accompanying loss of life (the actual number of casualties is unrecorded). Roger Ebert writes, "That there was, in fact, no czarist massacre on the Odessa Steps scarcely diminishes the power of the scene ... It is ironic that did it so well that today, the bloodshed on the Odessa steps is often referred to as if it really happened."
Read more about this topic: Battleship Potemkin
Famous quotes containing the words steps and/or sequence:
“He hung out of the window a long while looking up and down the street. The world’s second metropolis. In the brick houses and the dingy lamplight and the voices of a group of boys kidding and quarreling on the steps of a house opposite, in the regular firm tread of a policeman, he felt a marching like soldiers, like a sidewheeler going up the Hudson under the Palisades, like an election parade, through long streets towards something tall white full of colonnades and stately. Metropolis.”
—John Dos Passos (1896–1970)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)