Production
With the box office success of Batman Forever in June 1995, Warner Bros. instantly commissioned a sequel. They hired director Joel Schumacher and writer Akiva Goldsman to reprise their duties the following August, and decided it was best to fast track production for a June 1997 target release date. Schumacher wanted to homage both the broad camp style of the 1960s television series and the work of Dick Sprang. The storyline of Batman & Robin was conceived by Schumacher and Goldsman during pre-production on A Time to Kill. Portions of Mr. Freeze's back-story were based on the Batman: The Animated Series episode "Heart of Ice", written by Paul Dini. The original start date was August 1996, but principal photography did not begin until September 12, 1996. Batman & Robin finished filming in late January 1997, two weeks ahead of the shooting schedule. The film was mostly shot at Warner Bros. Studios in Burbank, California.
When comparing work on Batman Forever, Chris O'Donnell, who portrayed Robin, explained, "It just felt like everything got a little soft the second time. On Batman Forever, I felt like I was making a movie. The second time, I felt like I was making a kid's toy commercial." According to John Glover, who played Dr. Jason Woodrue, "Joel would sit on a crane with a megaphone and yell before each take, 'Remember, everyone, this is a cartoon'. It was hard to act because that kind of set the tone for the film." Production designer Barbara Ling admitted her influences for the Gotham City design came from "neon-ridden Tokyo and the Machine Age. Gotham is like a World's Fair on ecstasy." Rhythm and Hues and Pacific Data Images created the visual effects sequences, with John Dykstra and Andrew Adamson credited as the visual effects supervisors.
Read more about this topic: Batman & Robin (film)
Famous quotes containing the word production:
“[T]he asphaltum contains an exactly requisite amount of sulphides for production of rubber tires. This brown material also contains “ichthyol,” a medicinal preparation used externally, in Webster’s clarifying phrase, “as an alterant and discutient.””
—State of Utah, U.S. public relief program (1935-1943)
“... this dream that men shall cease to waste strength in competition and shall come to pool their powers of production is coming to pass all over the earth.”
—Jane Addams (1860–1935)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)