Wagner's Bass Trumpet
Richard Wagner's first intention for Der Ring des Nibelungen was a bass trumpet in 13' E♭, based on the instruments he would have come across during his dealings with military bands. However, while the opening section of Das Rheingold might indicate the use of such an instrument, the part quickly rises to G♭5, which would be the nineteenth partial on this long instrument; Wagner understood brass instruments very well and saw that this was impractical. While it was argued during the late nineteenth century (Oskar Franz: Zeitschrift für Instrumentenbau, 1884) that the instrument in question was actually pitched an octave higher, the instrument actually built by Moritz of Berlin on Wagner's personal instruction for the Munich theatre (according to Zeitschrift für Instrumentenbau, 1908) was pitched in 8' C with crooks for B♭ and A and sounded one octave lower than written. The records of Moritz were not preserved, though a wide-bell bass trumpet with military-band proportions in 8' C with B♭ and A crooks does make an appearance in their post-1900 catalogue, while Gebrüder Alexander of Mainz offered a narrow-bore model in either E♭ or C.
The model normally used today is in 8' C with four rotary valves, and is played by a trombonist owing to the size of the mouthpiece. Bass trumpets in E♭ are usually played by trumpeters as the mouthpiece is closer in size to that of the standard B♭ trumpet.
Wagner wrote adventurously for his new addition to the brass section, exploiting open and muted effects, and extremes of range and dynamics. The bass trumpet is frequently featured in Der Ring des Nibelungen, playing solos in every register, as well as playing in octaves, unison or harmony with trumpets, trombones, and Wagner tubas. Its very distinctive timbre is easily identifiable and Wagner used this new and unique tone colour extensively.
Other composers have also used the bass trumpet in the orchestra, including Arthur Sullivan (in the opera Ivanhoe), Richard Strauss (in the tone poem Macbeth and the opera Elektra), Arnold Schoenberg (in the cantata Gurrelieder), Igor Stravinsky (in the ballet Le sacre du printemps - fourth trumpet doubling bass trumpet in E♭), Leoš Janáček (in the Sinfonietta - two bass trumpets in B♭). György Ligeti used the bass trumpet as one of Nekrotzar's "Entourage" instruments in his opera Le Grand Macabre. However, as with the Wagner tuba and the contrabass trombone, Wagner's other additions to the opera house orchestra for Der Ring des Nibelungen, the bass trumpet has not become a regular member of the orchestral brass and is seen rarely.
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