Barton Fink

Barton Fink is a 1991 American film, written, directed, and produced by the Coen brothers. Set in 1941, it stars John Turturro in the title role as a young New York City playwright who is hired to write scripts for a movie studio in Hollywood, and John Goodman as Charlie, the insurance salesman who lives next door at the run-down Hotel Earle.

The Coens wrote the screenplay in three weeks while experiencing difficulty during the writing of another film, Miller's Crossing. Soon after Miller's Crossing was finished, the Coens began filming Barton Fink, which had its premiere at the Cannes Film Festival in May 1991. In a rare sweep, Barton Fink won the Palme d'Or, as well as awards for Best Director and Best Actor (Turturro). Although it was celebrated almost universally by critics and nominated for three Academy Awards, the movie grossed only $6,000,000 at the box office, two-thirds of its estimated budget.

The process of writing and the culture of entertainment production are two prominent themes of Barton Fink. The world of Hollywood is contrasted with that of Broadway, and the film analyzes superficial distinctions between high culture and low culture. Other themes in the film include fascism and World War II; slavery and conditions of labor in creative industries; and how intellectuals relate to "the common man". Because of its diverse elements, Barton Fink has defied efforts at genre classification. It has been variously referred to as a film noir, a horror film, a Künstlerroman, and a buddy film.

The feel of the Hotel Earle was central to the development of the story, and careful deliberation went into its design. There is a sharp contrast between Fink's living quarters and the polished, pristine environs of Hollywood, especially the home of Jack Lipnick. On the wall of Fink's room there hangs a single picture of a woman at the beach; this captures Barton's attention, and the image reappears in the final scene of the film. Although the picture and other elements of the film (including a mysterious box given to Fink by Charlie) appear laden with symbolism, critics disagree over their possible meanings. The Coens have acknowledged some intentional symbolic elements while denying an attempt to communicate some holistic message.

The film contains allusions to many real-life people and events, most notably the writers Clifford Odets and William Faulkner. The characters of Barton Fink and W.P. Mayhew are widely seen as fictional representations of these men, but the Coens stress important differences. They have also admitted to parodying film magnates like Louis B. Mayer, but they note that Fink's agonizing tribulations in Hollywood are not meant to reflect their own experiences.

Barton Fink was influenced by several earlier works, including the films of Roman Polanski, particularly Repulsion (1965) and The Tenant (1976). Other influences are Stanley Kubrick's The Shining and Preston Sturges's Sullivan's Travels. The movie also contains a number of literary allusions, to works by William Shakespeare, John Keats, and Flannery O'Connor. There are also religious overtones, including references to the Book of Daniel, King Nebuchadnezzar, and Bathsheba.