Baroque Painting - Gallery

Gallery

  • Caravaggio, Bacchus, c.1595, Oil on canvas, 95 x 85 cm., Galleria degli Uffizi, Florence

  • Artemesia Gentileschi, Judith Slaying Holofernes, 1614–20, oil on canvas, 199 x 162 cm Galleria degli Uffizi, Florence

  • Frans Hals Gypsy Girl, 1628–30, oil on wood, 58 x 52 cm., Musée du Louvre, Paris

  • Peter Paul Rubens, Judgement of Paris, c. 1636, National Gallery, London

  • Nicolas Poussin, The Rape of the Sabine Women, 1637–38, Louvre, Paris

  • José de Ribera, Martyrdom of St Philip, 1639, Prado, Madrid

  • Salvator Rosa, Self-portrait, Of Silence and Speech, Silence is better, 1640, National Gallery, London

  • Diego Velázquez, The surrender of Breda, 1635, oil on canvas, Museo del Prado, Madrid

  • Claude Lorrain, The Embarkation of the Queen of Sheba, 1648, 149 × 194 cm., National Gallery, London

  • Diego Velázquez, Las Meninas, 1656–57, oil on canvas, 318 x 276 cm, Museo del Prado, Madrid

  • Rembrandt van Rijn, The Syndics of the Clothmaker's Guild, 1662, oil on canvas, 191.5 cm × 279 cm (75.4 in × 110 in), Rijksmuseum, Amsterdam

  • Jan Vermeer, The Allegory of Painting or The Art of Painting, 1666–67, 130 x 110 cm., Kunsthistorisches Museum, Vienna

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    —Herman Melville (1819–1891)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
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