Culture
The annual live music festival, organised by Teesdale Community Resources in conjunction with the Barnard Castle Meet Committee, runs over the Whit weekend alongside the many other 'Meet' activities. It is a three-day event with out-of-town bands playing on the Saturday and local bands & up and coming TCR bands playing on the Sunday and Monday. It is a family friendly event and entrance is totally free.
The Barnard Castle Meet is an annual carnival festival held on the second bank holiday weekend in May, the schools summer half term week. The Meet, as it is known locally, has grown from the North East Cyclists Meet dating back to 1885 and since the early 1900s the town has staged a carnival and grand procession through the town centre on the bank holiday Monday. The weekend is now probably the largest event in the Barnard Castle and Teesdale calendar. There are around twenty separate events that the Meet Committee asserts 'reach every corner of the community'. In recent years, with the R 'n' B festival no longer in the Meet Weekend programme, the Committee has staged its own music event showcasing local and national talent on the Sunday and Monday, with all technical and musical support from Teesdale Community Resources (TCR). The 2010 Meet, the largest for several years, began with the Crowning of the Meet Queen on 29 May.
The Barnard Castle Band, founded in 1860, is a brass band based in the town, well known outside the area as a result of the march Barnard Castle by Goff Richards.
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Famous quotes containing the word culture:
“The higher, the more exalted the society, the greater is its culture and refinement, and the less does gossip prevail. People in such circles find too much of interest in the world of art and literature and science to discuss, without gloating over the shortcomings of their neighbors.”
—Mrs. H. O. Ward (1824–1899)
“It is of the essence of imaginative culture that it transcends the limits both of the naturally possible and of the morally acceptable.”
—Northrop Frye (b. 1912)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)