History
Simon's Rock was officially founded in 1964. From 1964 to 1970, the buildings of the campus were built on Great Pine Farm, a farm that was owned by Hall's family. These buildings were the college center, the library, the classroom buildings, three dormitories (now dormitories primarily for first-year students: Crosby, Dolliver, and Kendrick) and the dining hall. Some of the farm's buildings, such as Hall's own home, were incorporated into the college campus as well. Hall was the president of the college at its founding.
In 1966, the first class, all women, were admitted to Simon's Rock. These women, along with some of the other early classes, went through a four-year program that resulted in the associate's degree, at which point students desiring a further degree would have to transfer to another school. This differs from the current system, in which students receive an associate's degree typically after two years, and a bachelor's degree after four years of study.
1970 saw both the first commencement ceremonies at Simon's Rock as well as the first coeducational entering class.
Hall retired as Simon's Rock's president in 1972, handing the post off to Dr. Baird W. Whitlock, whose presidency ended in 1977. Though only serving for five years, Whitlock was very influential to Simon's Rock's development. He oversaw a complete change in the associate's program, which was condensed into two years, eliminating the high school components. He also oversaw the beginning of the bachelor's degree program, which was accredited in 1974 by the New England Association of Schools and Colleges.
Dr. Samuel McGill was Simon's Rock's president from 1977 to 1979, at which point Bard College became affiliated with Simon's Rock. The acquisition was completed as an attempt to bring Simon's Rock out of the major financial struggle it was experiencing. At the time that Simon's Rock was looking for a school to acquire it, some of the possible schools included Boston University and Yale University. The Bard acquisition took about one month from start to finish. This made Leon Botstein, the president of Bard, the ex officio president of Simon's Rock, and he still holds both offices today.
In 1981, with the help of various donors, Simon's Rock purchased the 75-acre (300,000 m2) Upper Campus, a former seminary three quarters of a mile uphill from the original Simon's Rock campus. This added a gymnasium, chapel and various forms of housing to Simon's Rock's assets.
In 1989, an arts and humanities building was built directly across Alford Road, near the college's other arts buildings. In the same year, the student union was established in the lower level of the dining hall.
In 1993, the then-unused chapel from upper campus was relocated to the main part of campus and renovated, becoming the college's music building. That same year, a number of the campus's arts and dormitory buildings were also renovated.
Since then, many buildings have been built or renovated. These include the Fisher Science and Academic Center (completed 1998), the Kilpatrick Athletic Center (completed 1999), the Daniel Arts Center (completed 2005), an apartment-like dormitory for upperclassmen (Pibly House, completed 2000), the Livingston Hall Student Union (completed 2006), and others.
In 2000, Simon's Rock became the first college in the United States to officially recognize International Workers' Day.
On April 11, 2006, part of Carriage House, a residence in upper campus, burned in an electrical fire in the early morning. No one was hurt in the incident, but some student possessions were partially or entirely destroyed. The remnants of the building were burnt down by the Great Barrington Fire Department in January 2009 in a training exercise.
Read more about this topic: Bard College At Simon's Rock
Famous quotes containing the word history:
“No event in American history is more misunderstood than the Vietnam War. It was misreported then, and it is misremembered now.”
—Richard M. Nixon (b. 1913)
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
—John Dos Passos (1896–1970)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)