Career
She achieved success in radio prior to signing as a contract player with MGM studios. She was heard in the original radio version of Dragnet. She also recorded several songs for MGM Records.
In the 1950s, she starred as Kay in the first LP recording of the songs from George Gershwin and Ira Gershwin's 1926 Broadway musical, Oh, Kay!. This was a studio cast recording released by Columbia Records, and conducted by Lehman Engel. Despite what is sometimes claimed, it did not use the original orchestrations, but it was the most complete recording of the score made up to that time.
In seeking acting parts she was forced to travel to New York City where her relation to her mother was not as well known. She landed a job on Hollywood Screen Test, a talent show which aired on ABC Television from 1948-1953. Ruick appeared on the Kraft Television Theater, soap operas, and The College Bowl (1950), which was hosted by Chico Marx. She also performed for fifteen weeks on the Jerry Colonna Show. In 1955 she was a regular on The Johnny Carson Show. Ruick did episodes of The Millionaire (1957), Public Defender (1954), Brothers Brannigan (1960), The 20th Century Fox Hour (1956), and Climax Mystery Theater (1955).
Ruick played bit parts in her first four films, one of them being The Band Wagon (1953), and then graduated to supporting roles. Her best remembered roles are Carrie Pipperidge in the film version of Rodgers and Hammerstein's Carousel (1956), where she delivers a touching rendition of "When I Marry Mr. Snow", and as Esmerelda, one of the wicked stepsisters, in the 1965 TV version of Rodgers and Hammerstein's Cinderella.
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Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)