Works
Yoshimoto began her writing career while working as a waitress at a golf-club restaurant in 1987. She named American author Stephen King as one of her first major influences, and drew inspiration from his non-horror stories. As her writing progressed, she was further influenced by Truman Capote and Isaac Bashevis Singer.
Her debut novel, Kitchen, was an instant success, with over sixty printings in Japan alone. There have been two films made of the story, a Japanese TV movie and a more widely released version produced in Hong Kong by Yim Ho in 1997. She won the 6th Kaien Newcomer Writers Prize in November 1987, the Umitsubame First Novel Prize, and then the 16th Izumi Kyoka Literary Prize in January 1988 for Kitchen.
Another one of her novels, Goodbye Tsugumi, was also made into a movie in 1990, directed by Jun Ichikawa. The novel received mixed reviews.
Her works include 12 novels and seven collections of essays (including Pineapple Pudding and Song From Banana) which have together sold over six million copies worldwide. Her themes include love and friendship, the power of home and family, and the effect of loss on the human spirit.
In 1998, she wrote the foreword to the Italian edition of the book Ryuichi Sakamoto. Conversazioni by musicologist Massimo Milano.
Read more about this topic: Banana Yoshimoto
Famous quotes containing the word works:
“‘Tis too plain that with the material power the moral progress has not kept pace. It appears that we have not made a judicious investment. Works and days were offered us, and we took works.”
—Ralph Waldo Emerson (1803–1882)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“The hippopotamus’s day
Is passed in sleep; at night he hunts;
God works in a mysterious way—
The Church can sleep and feed at once.”
—T.S. (Thomas Stearns)