Dance
The Ballets Russes was noted for the high standard of its dancers, which contributed a great deal to its success in Paris, where dance technique had declined markedly since the 1830s. Most of the company's dancers were resident performers at the Russian Imperial Theatres in the early years. Diaghilev took them on loan to Paris during the theatres' long summer holidays.
Principal women dancers included many who earned international renown: Anna Pavlova, Tamara Karsavina, Olga Spessivtseva, Mathilde Kschessinska, Ida Rubinstein, Bronislava Nijinska, Lydia Lopokova, Diana Gould and Alicia Markova, among others.
The company was more remarkable for raising the status of the male dancer, who had been largely ignored by choreographers and ballet audiences since the early 19th century. Among the male dancers were Michel Fokine, Serge Lifar, Léonide Massine, Anton Dolin, George Balanchine, Valentin Zeglovsky, Theodore Kosloff, Adolph Bolm, and the legendary Vaslav Nijinsky, who was the most popular and talented dancer in the company's history.
The three most significant choreographers of the company were (in chronological order) Fokine, Nijinsky, and Massine.
Read more about this topic: Ballets Russes
Famous quotes containing the word dance:
“Ah, it is sweet on the hills,
to dance in sacred faun-pelt,
to dance until one falls faint,
to beat the sacred dance-beat
until one drops down
worn out.”
—Hilda Doolittle (1886–1961)
“Navajo men and boys have an odd way of showing their friendship. When two young men meet at the trading post, a “Sing”, or a dance they greet each other, inquire about the health of their respective families, then stand silently some ten or fifteen minutes while one feels the other’s arms, shoulders, and chest.”
—Administration in the State of Ariz, U.S. public relief program (1935-1943)
“The deft white-stockinged dance in thick-soled
shoes! Denmark’s sanctuaried Jews!”
—Marianne Moore (1887–1972)