Ball of Fire - Production

Production

The script was written by Charles Brackett, Thomas Monroe, and Billy Wilder from a short story written by Wilder while he was still in Europe, and based in part on the fairy tale Snow White. The professors themselves were based on the dwarfs from Walt Disney's animated film Snow White and the Seven Dwarfs. Although Ball of Fire was directed by the by now well-established Howard Hawks, Wilder had already decided that he needed to direct his screenplays to protect them from studio and other director's interference. Hawks was happy to let Wilder study his directing on the set and Wilder thereafter directed his own films. The film was the second feature of 1941 to pair Cooper and Stanwyck, following Meet John Doe.

Wilder reveled in poking fun at those who took politics too seriously. At one point, "Sugarpuss" points to her sore throat and complains "Slight rosiness? It's as red as the Daily Worker and just as sore". Later, she gives the overbearing and unsmiling housekeeper, the name "Franco", just before she knocks the woman out. Wilder also worked in a reference to Cooper's Academy Award-winning performance in Sergeant York by having Dan Duryea's character Duke Pastrami say "I saw me a movie last week" just before wetting the sights of his pistol and aiming it.

Ginger Rogers and Carole Lombard turned down the role of Katherine "Sugarpuss" O'Shea, while Lucille Ball almost won the role until Gary Cooper recommended Stanwyck.

Read more about this topic:  Ball Of Fire

Famous quotes containing the word production:

    Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.
    Gus Hall (b. 1910)

    The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.
    Ernest Gellner (b. 1925)

    The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.
    Adrienne Rich (b. 1929)