Plot
A group of (mainly bachelor) professors have lived together for some years in a New York City residence, compiling an encyclopedia of all human knowledge. The youngest, Professor Bertram Potts (Gary Cooper), is a grammarian who is researching modern American slang. The professors are accustomed to working in relative seclusion at a leisurely pace with a prim housekeeper named Miss Bragg (Kathleen Howard) keeping watch over them. Their impatient financial backer Miss Totten (Mary Field) suddenly demands that they finish their work soon.
Venturing out to do some independent research, Bertram becomes interested in the slang vocabulary of saucy nightclub performer "Sugarpuss" O'Shea (Barbara Stanwyck). She is reluctant to assist him in his research until she needs a place to hide from the police, who want to question her about her boyfriend, mob boss Joe Lilac (Dana Andrews). Sugarpuss takes refuge in the house where the professors live and work, despite Bertram's objections and their housekeeper's threat to leave because of her.
The professors soon become enamored of her femininity, and she begins to grow fond of them. She teaches them to conga and demonstrates to Bertram the meaning of the phrase "yum yum" (kisses). She becomes attracted to Bertram, who reciprocates with a vengeance by proposing marriage to her. She accepts, but before they can do anything, she is taken away by Lilac's henchmen. Lilac also wants to marry her, but only as a means to preventing a wife from testifying against him.
The professors eventually outwit Lilac and his henchmen and rescue Sugarpuss. She decides she is not good enough for Bertram, but his forceful application of "yum yum" convinces her to change her mind.
Read more about this topic: Ball Of Fire
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“Ends in themselves, my letters plot no change;
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Aspire, astound, establish or estrange.”
—Philip Larkin (19221986)
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—Franz Grillparzer (17911872)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)