History
The balance wheel appeared with the first mechanical clocks, in 14th century Europe, but it seems unknown exactly when or where it was first used. It is an improved version of the foliot, an early inertial timekeeper consisting of a straight bar pivoted in the center with weights on the ends, which oscillates back and forth. The foliot weights could be slid in or out on the bar, to adjust the rate of the clock. The first clocks in northern Europe used foliots, while those in southern Europe used balance wheels. As clocks were made smaller, first as bracket clocks and lantern clocks and then as the first large watches after 1500, balance wheels began to be used in place of foliots. Since more of its weight is located on the rim away from the axis, a balance wheel could have a larger moment of inertia than a foliot of the same size, and keep better time. The wheel shape also had less air resistance, and its geometry partly compensated for thermal expansion error due to temperature changes.
Read more about this topic: Balance Wheel
Famous quotes containing the word history:
“The steps toward the emancipation of women are first intellectual, then industrial, lastly legal and political. Great strides in the first two of these stages already have been made of millions of women who do not yet perceive that it is surely carrying them towards the last.”
—Ellen Battelle Dietrick, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 13, by Susan B. Anthony and Ida Husted Harper (1902)
“The greatest horrors in the history of mankind are not due to the ambition of the Napoleons or the vengeance of the Agamemnons, but to the doctrinaire philosophers. The theories of the sentimentalist Rousseau inspired the integrity of the passionless Robespierre. The cold-blooded calculations of Karl Marx led to the judicial and business-like operations of the Cheka.”
—Aleister Crowley (1875–1947)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)