Recording Sessions
In many of his recordings, Dodds had to use a wood block rather than a drum set because of the nature of the recording technology. It was therefore difficult to hear Dodds’ original style from early recordings, such as his 1923 sessions with King Oliver’s Creole Jazz Band. Dodds did, however, begin recording again in 1940, and by this time, the technology was able to show his talent on the drum set. Dodds is perhaps the first jazz drummer to record unaccompanied: in 1945 he recorded two solos for Circle Records, and the next year recorded a series of solos and reminiscences for Folkways Records. On his part of the record, Dodds discusses his drumming techniques and his drumset and playing examples of techniques. This record gives an idea of what Dodds would have sounded like in his prime had the recording technology been what it is today. In 1954 he played for a Natty Dominique recording session which also featured bassman Israel Crosby and pianist Lil Hardin Armstrong.
Read more about this topic: Baby Dodds
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“He shall not die, by G, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heavens chancery with the oath, blushd as he gave it in;and the RECORDING ANGEL as he wrote it down, droppd a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (17131768)