Criticism
Some writers, notably Herbert R. Kohl and Vivian Paley, have argued that, although superficially delightful, the stories are politically and morally offensive and can be seen as a justification for colonialism. Others argue that the French civilization described in the early books had already been destroyed by World War I and the books were originally an exercise in nostalgia for pre-1914 France. Ariel Dorfman’s The Empire’s Old Clothes is another highly critical view, in which he concludes, "In imagining the independence of the land of the elephants, Jean de Brunhoff anticipates, more than a decade before history forced Europe to put it into practice, the theory of neocolonialism." Adam Gopnik has a different point of view. In Freeing the Elephants he writes that it "is not an unconscious expression of the French colonial imagination; it is a self-conscious comedy about the French colonial imagination and its close relation to the French domestic imagination. The gist ... is explicit and intelligent: the lure of the city, of civilization, of style and order and bourgeois living is real, for elephants as for humans." He concludes that the satisfaction derived from Babar is based on the knowledge that "while it is a very good thing to be an elephant, still, the life of an elephant is dangerous, wild, and painful. It is therefore a safer thing to be an elephant in a house near a park."
Read more about this topic: Babar The Elephant
Famous quotes containing the word criticism:
“I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.”
—Ernest Hemingway (1899–1961)
“Like speaks to like only; labor to labor, philosophy to philosophy, criticism to criticism, poetry to poetry. Literature speaks how much still to the past, how little to the future, how much to the East, how little to the West.”
—Henry David Thoreau (1817–1862)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)