Musical Theme
A leitmotif named "Hidamari no Machi" (日溜りの街?, lit. "A Sunny City") is associated with Ayu and is played in Kanon numerous times during scenes which involve her; it is also used in a similar fashion throughout Kyoto Animation's Kanon anime adaptation. It is first heard during Ayu's first appearance in both the visual novel and the aforementioned anime version. The theme is composed by Shinji Orito, one of Key's signature composers, and is the longest of Kanon's five leitmotifs on the Kanon Original Soundtrack at 3:04 minutes. A remix version by Magome Togoshi appeared on the Kanon soundtracks Anemoscope and Recollections. "Hidamari no Machi" was composed in common time in the E-flat major key, and moves at 126 beats per minute. The theme was composed on a synthesizer which primarily used a piano as a base, along with violin, vibraphone, and percussion accompaniment throughout the piece. Orito commented on the song in the Kanon Original Soundtrack booklet where he remarked, "This is probably the song I like most out of all the theme songs...I think the percussion is really good."
Read more about this topic: Ayu Tsukimiya
Famous quotes containing the words musical and/or theme:
“If we cannot sing of faith and triumph, we will sing our despair. We will be that kind of bird. There are day owls, and there are night owls, and each is beautiful and even musical while about its business.”
—Henry David Thoreau (1817–1862)
“The saying, “The Magyar is much too lazy to be bored,” is worth thinking about. Only the most subtle and active animals are capable of boredom.—A theme for a great poet would be God’s boredom on the seventh day of creation.”
—Friedrich Nietzsche (1844–1900)