Musical Theme
A leitmotif named "Hidamari no Machi" (日溜りの街?, lit. "A Sunny City") is associated with Ayu and is played in Kanon numerous times during scenes which involve her; it is also used in a similar fashion throughout Kyoto Animation's Kanon anime adaptation. It is first heard during Ayu's first appearance in both the visual novel and the aforementioned anime version. The theme is composed by Shinji Orito, one of Key's signature composers, and is the longest of Kanon's five leitmotifs on the Kanon Original Soundtrack at 3:04 minutes. A remix version by Magome Togoshi appeared on the Kanon soundtracks Anemoscope and Recollections. "Hidamari no Machi" was composed in common time in the E-flat major key, and moves at 126 beats per minute. The theme was composed on a synthesizer which primarily used a piano as a base, along with violin, vibraphone, and percussion accompaniment throughout the piece. Orito commented on the song in the Kanon Original Soundtrack booklet where he remarked, "This is probably the song I like most out of all the theme songs...I think the percussion is really good."
Read more about this topic: Ayu Tsukimiya
Famous quotes containing the words musical and/or theme:
“Sometimes a musical phrase would perfectly sum up
The mood of a moment. One of those lovelorn sonatas
For wind instruments was riding past on a solemn white horse.
Everybody wondered who the new arrival was.”
—John Ashbery (b. 1927)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)