Performance Preferences
Pratt is celebrated not only as a virtuoso but also for his unconventional appearance when performing. “Pratt takes the stage at Boston's Jordan Hall in a subtle but colorful green-and-lavender striped and checked shirt. His black pants reveal a dash of whimsicality below the cuffs: socks adorned with a portrait of Van Gogh” (Shepard 1998). Moreover, Pratt has long affected dreadlocks, emulating tennis star Yannick Noah. Pratt has explained that, aside from improving his own level of comfort, his sartorial choices are calculated to break down barriers between the audience, the performer, and the music, a result in keeping with his hope that he can build enthusiasm for classical music among youth and audiences not traditionally interested in the art form.
Although fully equipped to meet the technical demands of showpieces by composers like Franz Liszt, Pratt has gravitated more to literature that, while technically demanding, has less surface glitter and more introspection. Among other composers whose works he has espoused are Johann Sebastian Bach, Ludwig van Beethoven, Johannes Brahms, César Franck, Edvard Grieg, Modest Mussorgsky, and Sergei Rachmaninoff.
Read more about this topic: Awadagin Pratt
Famous quotes containing the words performance and/or preferences:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“This is the great truth life has to teach us ... that gratification of our individual desires and expression of our personal preferences without consideration for their effect upon others brings in the end nothing but ruin and devastation.”
—Hortense Odlum (1892–?)