Ave Maria (Schubert) - Position Within The Cycle

Position Within The Cycle

In 1825, Schubert composed a selection of seven songs from Scott's The Lady of the Lake. They were published in 1826 as his Opus 52.

The songs are not intended for a single performer: the three songs of Ellen are piano songs for a woman's voice, while the songs for Norman and the Count of Douglas were intended for the baritone Johann Michael Vogl. The remaining two songs are written one for a male and the other for a female ensemble.

1. "Ellens Gesang I", D. 837, Raste Krieger, Krieg ist aus / "Soldier rest! the warfare o’er"
2. "Ellens Gesang II", D. 838, Jäger, ruhe von der Jagd / "Huntsman, rest! thy chase is done"
3. "Bootgesang", D. 835, Triumph, er naht / "Hail to the chief", for male voice quartet
4. "Coronach" (Deathsong of the women and girls), D. 836, Er ist uns geschieden / "He is gone to the mountain", for female choir
5. "Normans Gesang", D. 846, Die Nacht bricht bald herein ("Night will soon be falling")
6. "Ellens Gesang III" (Hymn to the Virgin), D. 839, Ave Maria! Jungfrau mild! / "Ave Maria! maiden mild!"
7. "Lied des gefangenen Jägers", D. 843, Mein Roß so müd / "My steed is tired"

Schubert composed the songs to the German texts. However, with the exception of No. 5, the songs were clearly intended to be published with the original English texts as well. This meant finding correspondences to Storck's sometimes quite free translations, which entailed significant difficulties.