Plot
In 1967, British spy Austin Powers attempts to assassinate his nemesis, Dr. Evil, in his own nightclub (the Electric Psychedelic Pussycat Swingers Club). Dr. Evil escapes by launching himself in a space rocket disguised as a Bob's Big Boy statue, and cryogenically freezing himself. Powers volunteers to be put into cryostasis to be revived when Dr. Evil returns.
Thirty years later, in 1997, Dr. Evil returns with new plans for world domination, and discovers his henchman Number 2 (No. 2) has transformed Evil's empire into Virtucon, a multi-billion dollar enterprise. Though already wealthy, Dr. Evil proposes several plans to threaten the world for more money. However, he finds that each of them have already happened during his absence. He ultimately falls back on his old plan to steal nuclear weapons and hold the world hostage, and is advised to seek one hundred billion dollars. Later, he also discovers that henchwoman Frau Farbissina has used a sample of Evil's semen to artificially create his son, Scott Evil, now a Generation Y teenager. Scott is resentful of his father, despite Dr. Evil's attempts to get closer to him through therapy.
Having learned of Dr. Evil's return, the British Ministry of Defence unfreezes Powers, acclimating him to the year 1997 with the help of agent Vanessa Kensington, the daughter of his sidekick in the 1960s, Mrs. Kensington. Powers quickly finds his free love credo of the 1960s to be out of touch with the 1990s, and is unable to ensnare Vanessa with his charms. Later, the two pose as a married couple in a Las Vegas hotel and meet No. 2's Italian secretary, Alotta Fagina. Powers breaks into her penthouse suite for reconnaissance and fornicates with her. He discovers plans for Dr. Evil's "Project Vulcan", which aims to drill a nuclear warhead into the Earth's molten core and trigger volcanic eruptions worldwide. Dr. Evil, learning that Powers is back and on his trail, creates a series of seductive female robots (called Fembots) to charm Powers before killing him. Austin apologizes to Vanessa for the affair with Alotta and vows to only be with her.
Later the couple infiltrates Dr. Evil's headquarters but are captured by his henchman, Random Task. After Dr. Evil makes his demands to the world, he reveals that even after receiving the money he will still proceed with Project Vulcan. He then places Powers and Vanessa in a death trap that they easily escape from. Powers sends Vanessa for help, while he eludes and destroys the fembots by performing a striptease which arouses them so much that their heads explode. Vanessa returns with British forces. Powers finds the doomsday device and deactivates it at the last moment. He finds Dr. Evil in the main chamber along with Alotta Fagina who is holding Vanessa hostage, but Number 2 appears and attempts to betray Dr. Evil, offering to make a deal with Powers. Dr. Evil disposes of Number 2 using the trap door leading to lava (although Number 2 survives) and escapes to his rocket, setting off the base's self-destruct system. Vanessa knocks Alotta unconscious and escapes with Powers as the lair explodes.
Powers and Vanessa are later married, but during their honeymoon they are attacked by Random Task. Powers subdues the assassin and the couple adjourns to their balcony to have wild sex. Noticing a rather bright star, Powers pulls out a telescope to discover that it is in fact Dr. Evil's cryogenic chamber in which he vows revenge.
Read more about this topic: Austin Powers: International Man Of Mystery
Famous quotes containing the word plot:
“There saw I how the secret felon wrought,
And treason labouring in the traitors thought,
And midwife Time the ripened plot to murder brought.”
—Geoffrey Chaucer (1340?1400)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)