Austin Film Festival (AFF) was founded in 1994 and was the first organization of its kind to focus on writers’ creative contributions to film. Initially, AFF was made up of the Heart of Film Screenwriters Conference and functioned to launch the careers of screenwriters, who historically have been underrepresented within the film industry. Since then, AFF has grown to serve all filmmakers and has helped Austin’s arts community by creating year-round programming that recognizes the art and value of storytelling through film. Today AFF supports the work of aspiring and established writers and filmmakers by providing unique cultural events and services, enhancing public awareness and participation, and encouraging dynamic and long-lasting community partnerships.
AFF is probably best known for its annual October Austin Film Festival & Conference. The Film Festival & Conference was the first event of its kind to bring professional and amateur screenwriters together to celebrate the role of screenplays in filmmaking and host conversations focusing on the extensive possibilities that exist for screenwriters in both television and film. The Conference brings producers, agents and screenwriters together to instigate the sale of screenplays; hundreds of writers’ groups, services and festivals have followed the Conference’s lead over the past decade.
Read more about Austin Film Festival: Mission, Impact On Austin, Past Participants, Young Filmmakers Program, On Story: Presented By Austin Film Festival
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“Certainly, then, ordinary language is not the last word: in
principle it can everywhere be supplemented and improved upon, and superseded. Only remember, it is the first word.”
—John Austin (1911–1960)
“The motion picture is like a picture of a lady in a half- piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution from the audience but a mouthful of popcorn.”
—Raymond Chandler (1888–1959)
“Marry, I cannot show it in rhyme, I have tried; I can find no rhyme to “lady” but “baby”Man innocent rhyme; for “scorn,” “horn”Ma hard rhyme; for “school,” “fool”Ma babbling rhyme; very ominous endings. No, I was not born under a rhyming planet, nor I cannot woo in festival terms.”
—William Shakespeare (1564–1616)