Doctrine
Aum Shinrikyo/Aleph is a syncretic belief system that incorporates Asahara's facets of Christianity with idiosyncratic interpretations of Yoga, and the writings of Nostradamus. In 1992 Asahara published a landmark book, and declared himself "Christ", Japan's only fully enlightened master and identified with the "Lamb of God". His purported mission was to take upon himself the sins of the world. He outlined a doomsday prophecy, which included a Third World War, and described a final conflict culminating in a nuclear "Armageddon", borrowing the term from the Book of Revelation 16:16. His purported mission was to take upon himself the sins of the world, and he claimed he could transfer to his followers spiritual power and ultimately take away their sins and bad works. He also saw dark conspiracies everywhere promulgated by Jews, Freemasons, the Dutch, the British Royal Family, and rival Japanese religions.
Ultimately, Asahara outlined a doomsday prophecy, which included a World War III instigated by the United States. Asahara described a final conflict culminating in a nuclear "Armageddon", borrowing the term from the Book of Revelation. Humanity would end, except for the elite few who joined Aum. Aum's mission was not only to spread the word of "salvation", but also to survive these "End Times". Asahara predicted Armageddon would occur in 1997. He named the United States as The Beast from the Book of Revelation, predicting it would eventually attack Japan.
Read more about this topic: Aum Shinrikyo
Famous quotes containing the word doctrine:
“For the poet the credo or doctrine is not the point of arrival but is, on the contrary, the point of departure for the metaphysical journey.”
—Joseph Brodsky (b. 1940)
“If the Soviet Union can give up the Brezhnev Doctrine for the Sinatra Doctrine, the United States can give up the James Monroe Doctrine for the Marilyn Monroe Doctrine: Let’s all go to bed wearing the perfume we like best.”
—Carlos Fuentes (b. 1928)
“What ails it, intrinsically, is a dearth of intellectual audacity and of aesthetic passion. Running through it, and characterizing the work of almost every man and woman producing it, there is an unescapable suggestion of the old Puritan suspicion of the fine arts as such—of the doctrine that they offer fit asylum for good citizens only when some ulterior and superior purpose is carried into them.”
—H.L. (Henry Lewis)