In the study of literature, an audience surrogate is a fictional character with whom the audience can identify, or who expresses the questions and confusion of the audience. It is a device frequently used in detective fiction and science fiction.
In detective fiction, the audience surrogate is usually a minor character who asks a central character how he or she accomplished certain deeds, for the purpose of inciting that character to explain (for the curious audience) his or her methods.
In science fiction, the audience surrogate frequently takes the form of a child or other uninformed person, asking a relatively educated person to explain what amounts to the backstory. Clumsy use of this device is derided in the catchphrase "As you know, Bob".
In superhero comics and other stories with a heroic central character, the audience surrogate is often the sidekick of the hero. Like the audience, the surrogate is normally young, permitting the audience vicarious participation in the hero's adventures.
Hobbits fulfill this role in J. R. R. Tolkien's novels The Hobbit and Lord of the Rings. Dr. Watson in Arthur Conan Doyle's Sherlock Holmes stories may be considered an audience surrogate, as would most of The Doctor's many companions in Doctor Who. In Torchwood, this role is filled by Gwen Cooper, and later her husband Rhys Williams. Harry Potter also served this role in the earlier books in the series, but decreasingly so in the later books as the character became more accustomed to the Wizarding World; Eragon is used similarly in the Inheritance Cycle due to the fact that he knows nothing about magic, dwarf, or elvish customs in that around the end of each book he is more customed and is no longer needed as a surrogate.
The West Wing television series frequently uses audience surrogates to explain some aspect of politics. Donna Moss is probably the most commonly used, but other characters are used occasionally in areas which are outside their own fields of expertise.
Famous quotes containing the words audience and/or surrogate:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
“Detachment is the prerogative of an elite; and as the dandy is the nineteenth century’s surrogate for the aristocrat in matters of culture, so Camp is the modern dandyism. Camp is the answer to the problem: how to be a dandy in the age of mass culture.”
—Susan Sontag (b. 1933)